Jake Cole is a Customer Demand Analyst and freelance writer for Slant Magazine and the Ottawa Citizen. With a focus on film and home entertainment, Jake's articles provide in-depth reviews and analysis of movies, Blu-ray releases, and cultural phenomena. His expertise lies in evaluating the quality and impact of various media offerings.
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Jake predominantly focuses on reviewing films and home entertainment media, particularly Blu-ray and 4K UHD releases. Given his exclusive coverage of reviews in the entertainment industry, he would likely be interested in pitches related to upcoming film releases, re-mastered editions of classic movies or TV shows, or advancements in home entertainment technology.
Pitches offering early access to review copies of highly anticipated film releases or insights into technological advancements within the home entertainment industry could capture Jake's attention. Additionally, if you are involved with a studio releasing high-profile films or remastered classics on Blu-ray or 4K UHD formats, this may also pique Jake's interest.
While no specific geographic focus is mentioned for Jake Cole’s coverage area, it is important to note that he primarily focuses on reviewing films and home entertainment media without any regional limitations.
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A24 offers a flawless A/V presentation of Glazer’s masterwork.
Writer-director Kleber Mendonça Filho's 'Pictures of Ghosts' is about more than just the changing spaces of Receife, Brazil.
By: Keith Uhlich, Jake Cole
Warner Home Video's disc of 'Furiosa: A Mad Max Saga' looks magnificent in native 4K with Dolby Vision enhancement.
Writer-director Albert Brooks's feature debut 'Real Life' epitomizes his singular voice in the varied comedy landscape of the 1970s.
This remake is absent the far richer character development that made the original as much a melodrama as a shoot-'em-up.
Arrow Video's box set feels like the definitive home video release of Robert Rodriguez's 'The Mexico Trilogy.'
Writer-director Pascal Plante's 'Red Rooms' is intensely aware of our always-on, always-plugged-in culture.
An overlooked curio from Suzuki’s mid-’60s hot streak receives an excellent transfer.
Wang Bing's 'Youth (Hard Times),' like 'Youth (Spring),' leans into durational extremes but reveals a broadened scope.
'Bringing Out the Dead,' Marin Scorsese's most underappreciated triumph to date, is ripe for rediscovery, thanks to this release.
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