Chuck Bowen is an author at Style Weekly. He focuses on the arts and entertainment sector, with a particular emphasis on the film industry and filmmaking. Chuck's insights and critiques have been featured in Style Weekly, Slant Magazine, and Ledger Dispatch.
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Chuck Bowen's coverage indicates a focus on film reviews and entertainment news, particularly related to the local Virginia Film Festival. To effectively reach out to Chuck, consider pitching new movie releases or Blu-ray editions for review. You may also offer insights into emerging trends in the film industry that would be relevant to his local audience.
Given his strong emphasis on film reviews and cultural events, pitches could include exclusive interviews with filmmakers or actors participating in the Virginia Film Festival, as well as stories about unique aspects of Richmond’s film culture.
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By: Derek Smith, Diego Semerene, Nick Schager, Chuck Bowen
This set gives the under-sung Hadžihalilović her due, with a strong A/V presentation of each of her features and a generous heaping of extras.
On Steven Spielberg’s bewilderingly disappointing “Disclosure Day.”
Fury among the scorned in “Is God Is” and “Leviticus.”
Artists laid bare in “In the Hand of Dante,” “Couture,” and “Finnegan’s Foursome."
“Night Nurse” and “Evil Dead Burn” grapple with old genre hijinks and new-school standards.
By: Chuck Bowen
For Lynch, Joseph Merrick is the ultimate tortured artist.
“The Invite” offers unexpectedly intense pleasures, and “Carolina Caroline” is a mournful sex and crime road movie.
On the violent and obsessive “The Odyssey,” “Her Private Hell,” and “Motor City.”
Good sex and bad love this week in “I Want Your Sex,” “Hadestown: The Musical” and “Nightborn.”
Aughts-era bro-think returns with “Super Troopers 3” and “Ice Cream Man.”
