Jo Light

NFS chats with production designer Kalina Ivanov about her work on The Penguin.

"The Penguin" delivers a gripping, character-driven crime drama in its pilot episode, and here’s what screenwriters can learn from it.

Editor's note: the following interview is edited for length and clarity.

We speak with the director and her actor, Alanah Pearce, about their segment in V/H/S Beyond

It's the most wonderful time of the year—Halloween, which always presents a platform for some of the indie film community's most unique and fun projects. Just a week ago, the Austin Horror Film Festival came through town with a great lineup, including one fun and colorful short, "When Shadows Lay Darkest."

Laud the history of film with the Academy Museum of Motion Picture's latest nitrate film screening of 'Blonde Venus'

Proud Okie Kristin Chenoweth focuses on nurturing fresh talent and exciting new projects.

I can still remember the exact circumstances of my first listen to Nickel Creek. A high school friend sent a few songs via MSN Messenger, and I downloaded them on the family PC that sat on a combination ping-pong/pool table in our basement. “Doubting Thomas” was one song. “When You Come Back Down” was another.

'Three Women' author/screenwriter Lisa Taddeo shares her advice with ScreenCraft on crafting novels that translate powerfully to TV.

We speak with sound designer/sound supervisor Eugenio Battaglia and re-recording mixer Michael Babcock.