Jo Light is a freelance journalist at No Film School, ScreenCraft, and Oklahoma Gazette. With a background in film and cinema, she covers a range of topics including movies, music festivals, and the intersection of arts and entertainment, often exploring themes such as AI and legal issues in the industry. Jo's diverse experience in script analysis and consulting enriches her insights into the world of theater and film.
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Jo Light's articles predominantly focus on providing expert commentary and how-to guides within the realms of filmmaking, short films, directors, cinematography, and sound design. To effectively reach out to Jo with a pitch or expertise in these areas would be beneficial. This may include offering unique insights into film production techniques or sharing experiences that align with the topics covered such as sound design innovations or visual storytelling methods used by renowned filmmakers.
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By: Jo Light
It's the most wonderful time of the year—Halloween, which always presents a platform for some of the indie film community's most unique and fun projects. Just a week ago, the Austin Horror Film Festival came through town with a great lineup, including one fun and colorful short, "When Shadows Lay Darkest."
Laud the history of film with the Academy Museum of Motion Picture's latest nitrate film screening of 'Blonde Venus'
Proud Okie Kristin Chenoweth focuses on nurturing fresh talent and exciting new projects.
By: Jo Light
I can still remember the exact circumstances of my first listen to Nickel Creek. A high school friend sent a few songs via MSN Messenger, and I downloaded them on the family PC that sat on a combination ping-pong/pool table in our basement. “Doubting Thomas” was one song. “When You Come Back Down” was another.
By: Jo Light
'Three Women' author/screenwriter Lisa Taddeo shares her advice with ScreenCraft on crafting novels that translate powerfully to TV.
We speak with sound designer/sound supervisor Eugenio Battaglia and re-recording mixer Michael Babcock.
By: Jo Light
Alma Har'el, the showrunner behind 'Lady in the Lake,' sits down with ScreenCraft to talk about adapting a thriller for the screen.
We speak with costume designer Linda Muir about her influences in designing the wardrobe for Robert Egger's highly anticipated adaptation.
We interview Oscar-nominated cinematographer Phedon Papamichael regarding his latest project, A Complete Unknown.
Editor Marco Costa has become director Luca Guadagnino 's right-hand man lately, working on several of his projects starting with 2020's We Are Who We Are, the series for HBO. After that, Costa hopped on the grim cannibal drama Bones and All before zipping onto the courts for the hit Challengers.
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