Jo Lou is the deputy editor at Electric Literature. She focuses on themes surrounding publishing and media, culture and society, and social issues, with particular attention to LGBTQ topics, Asian perspectives, and the Middle East. Jo's work has been featured in Electric Literature.
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Jo Lou’s coverage primarily centers around literature, writing, and fiction. She seems to be particularly interested in exclusive content such as cover reveals and reviews of literary works. Additionally, Jo covers topics related to culture & society, house & home, family & relationships.
Authors or publishers looking for coverage of their books may find it valuable to reach out with pitches for exclusive cover reveals or review copies. Given the themes covered by Jo Lou, she might also appreciate expert commentary on cultural trends within the literary world or insights into how certain books reflect societal changes.
Since there is no specific geographic focus mentioned for her work, sources from all over the world could potentially resonate with her if they align with her areas of interest.
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I t's been a crazy year. It feels like the world has turned upside down, right side up, and sideways…and as we compiled 2024's most read issues from , it became clear that you felt like that too.
By: Jo Lou
Beloved novels like "Animal Farm," "Klara and the Sun," and "Frankenstein" will be hitting theaters and streaming platforms
Q ueer characters deserve happy endings. And after everything we've been through—hiding our identities, hating ourselves, loving in secret, and living through stigma and fear—queer people deserve everything.
Your insider guide to the book world
By: Jo Lou
A dam Ross's new novel , a 500-page epic, chronicles a year or so in the life of 14-year-old Griffin Hurt, a reluctant child actor whose life changes when his parents' friend Naomi falls in love with him. Griffin's account of his coming of age, from wrestling meets to contentious family dinners to clandestine meetings with Naomi, is irresistibly immersive, a fully-realized portrait of both an adolescent psyche and of Manhattan in the early 1980s.
H orror isn't just for Halloween. There's a lot of frightful things about winter: the long nights, the cold weather, the sense of isolation that seems so frequent during this time of year.
By: Jo Lou
Editor Deborah Plant discusses the process of bringing "The Life of Herod the Great" to publication
The design celebrates otherworldly beauty and the fierceness of female strength in a male-dominated world
The author of "Good Girl" discusses writing a pulsing, provocative novel about an Afghan German woman growing up and falling down
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