John Allison

In many major cities, music is synonymous with New Year celebrations. The most famous of these festivities must be Vienna's great institution of

The LSO's latest concert performance of a Janáček opera drew a packed hall which hung on every note of the superb score

Dating from about three months before Schubert ’s death, the Sonata in A major D959 is the middle one of his three big last sonatas, in some ways themselves the response to a death – that of Beethoven. The A major work is the most gentle of the trio, something highlighted again in this lovely, lyrical recording by Adam Laloum.

Fujitsu have recently been hit by a cyberattack and have warned that hackers may have stolen personal data and customer info. The comment from John Allison, director of public sector at Checkmarx:

Few works enjoy a more distinguished discography than Má Vlast, the crowning glory of Smetana’s orchestral output. Rafael Kubelík alone made five commercial recordings — his last with the Czech Philharmonic, for whom this music is practically the Bible. Semyon Bychkov began immersing himself in Má Vlast not long after being appointed as the orchestra’s music director in 2018, but has waited until now to record the cycle of six tone poems, with the release timed for Smetana’s bicentenary.

A celebration tinged with melancholy, this gala marking the end of Antonio Pappano 's music directorship at the Royal Opera House had a lot of ground to cover.

The RAND Corporation recently released the fifth iteration of its biannual hospital price report. The AHA highlights the significant flaws in this latest iteration.

“The Internet Archive has reported that they are under an ongoing Distributed Denial of Service (DDoS) attack, and while the vast historical data

During a global pandemic, Ana Sofia Pinell navigated a new world away from her parents in the search for better academic opportunities. In that search, she has discovered herself through her experiences at Upper Columbia Academy and helped others along the way.

Finnish conductor Sakari Oramo talks about the BBC Proms, Sibelius, and why we should not programme Russian music during the war in Ukraine