Boston, United States (Local)
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Lee Eiseman's articles predominantly cover classical music and concerts, with a focus on the Boston area. He is likely to be interested in pitches related to upcoming classical music events, exclusive interviews or insights from prominent figures in the local music scene, and unique angles on performances or musical compositions.
Given his extensive coverage of industry-specific news and expert commentary, Lee may appreciate pitches that offer insider perspectives from musicians, conductors, composers, or other key players within the classical music community. Additionally, he might be open to pieces discussing investment analysis as it pertains to the classical music industry.
Considering his local geographic focus on Boston and Massachusetts, targeted outreach relating specifically to this region’s classical music scene will likely yield better results when pitching story ideas.
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For last night’s warmly receptive Allen House audience, Cherry Street Music Artistic Director Allison Eldredge invited violinist Stefan Jackiw and Friends to provide a satisfying collation of a rare-but-strangely familiar sounding discovery, a well-roasted chestnut, and a couple of odd transcription
By: Lee Eiseman
Under Artistic director Jamie Kirsch, the 100-plus singers of the Chorus pro Musica broke forth in broad, sumptuous, and fresh heavenly light last night at Jordan Hall.
Randall Goosby, a throwback violinist in the grand manner and lapidary pianist Zhu Wang pleased an appreciative Gardner Museum Sunday afternoon crowd, mixoing seriously salonish romance with two landmark sonatas.
Time to Act, an opera from composer Laura Kaminsky and librettist Crystal Manich, completes its run at the Calderwood Pavillion tonight.
In “Re-Imaginings,” Skylark Singers did not imitate instruments so much as they played the resonance of the room and saturated us with their exquisitely blended individual timbres, enunciated lots of poetic words, and engraved some great grooves at Church of the Redeemer in Chestnut Hill on Friday n
The big-tent, highly theatrical production of Carmina Burana at Symphony Hall last night, the outcome of an engaging, and inviting collaboration among the Back Bay Chorale (celebrating its 50th Anniversary), the Orchestra, Choir, and Dance divisions of the Boston Conservatory at Berklee, and the Bos
We witnessed two beloved quintets and an intriguing and rewarding new octet at Sanders on Sunday delivered with the Society’s signal combination of ensemble polish, generosity of expression, and gorgeous individual timbres.
The Renaissance String Quartet engaged with elegance, heart, and fire in first string quartets of Florence Price (1929) and Daniel Hass (2021), plus the second of Brahms (1873) at the Gardner on Sunday.
By: Lee Eiseman
By the end of the afternoon at New York City’s Madison Avenue Presbyterian Church, one felt less like an audience member than a witness to Skylark Vocal Ensemble’s “Clear Voices in the Dark.”
From the balls-out accelerations in the well-oiled machinery of Rameau’s harpsichord extravaganza to the high-arched hand crossings in Philip Glass's Mad Rush, Simone Dinnerstein reigned as the queen of nuance and incantation over a freshened-up Shalin Liu Center’s loyal subjects. A brilliant and ch
