Justine Smith is a Screen Editor at Cult MTL and an Assistant Programmer. She focuses on the film industry and filmmaking, contributing her insights to various platforms including LWLies, Hyperallergic, and Roger Ebert. Justine's work has been featured in The Mirror, CBC, Point of View Magazine, Cult MTL, Ugandan Discussions, and Vulture.
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By: Justine Smith
“Every aspect of this film is built off of the human being's relationship with the limitations of information perception.”
For Governor General's Award laureate Sylvain Émard, being demanding is part of the creative process
By: Justine Smith
2.5 stars out of 5 There's no doubt in my mind that Steven Spielberg is the King of late-20th century American cinema.
3 stars out of 5 The second film from the DCU places Kara Zor-el aka Supergirl (Milly Alcock) in a John Wick-style revenge story.
By: Justine Smith
The genre fest runs from July 16 to Aug. 2. Thirty years ago, the Fantasia International Film Festival was born.
By: Justine Smith
3.5 stars out of 5 There's nothing fundamentally wrong with Christopher Nolan's The Odyssey . It's sweeping and occasionally has moments of brilliance.
By: Justine Smith
4 stars out of 5 In the depths of a lake, evil is brewing. Evil Dead Burn opens as two friends go fishing.
By: Justine Smith
Among the overloaded genre of meta-horror, this film feels singular and personal. Jane Schoenbrun's Teenage Sex and Death at Camp Miasma revels in the organic.
By: Justine Smith
2.5 stars out of 5 A lot of anger is swirling around Tony, the film about Anthony Bourdain, set during his youth as a reluctant cook in Cape Cod.
By: Justine Smith
3.5 stars out of 5 Anxiety brews below the surface of David Robert Mitchell's absurdist science-fiction film, The End of Oak Street . Set
