Lee Eiseman is a journalist based in Boston, Massachusetts, specializing in local music and arts coverage. With a focus on classical music, Lee contributes to The Boston Musical Intelligencer, providing insightful reviews and articles on performances, musicians, and cultural events in the Boston area.
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Lee Eiseman's articles predominantly cover classical music and concerts, with a focus on the Boston area. He is likely to be interested in pitches related to upcoming classical music events, exclusive interviews or insights from prominent figures in the local music scene, and unique angles on performances or musical compositions.
Given his extensive coverage of industry-specific news and expert commentary, Lee may appreciate pitches that offer insider perspectives from musicians, conductors, composers, or other key players within the classical music community. Additionally, he might be open to pieces discussing investment analysis as it pertains to the classical music industry.
Considering his local geographic focus on Boston and Massachusetts, targeted outreach relating specifically to this region’s classical music scene will likely yield better results when pitching story ideas.
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By: Lee Eiseman
Symphonics to duos being one matter, Rockport Music will see compressed orchestral works of Stravinsky and Rachmaninoff, even Rameau’s Suite in G Major from Nouvelles Suites de Piéces de Clavacin, finding their ways to a Steinway concert grand; also, on the French side of the program, Ravel’s Valses
A trio sine nomine comprising violinist Stella Chen, cellist Brannon Cho, and violist Matthew Lipman, created larger-than-life sonorities on superb instruments, at Rockport on Sunday. After the giant Mozart K. 563 Trio, guest pianist Evren Ozel made it four in a rip-roaring traversal of Fauré’s Pian
Lec-Dem HIPster David Hyun-Su Kim, known to some of us from previous Aston Magna outings, guest curated the presenter’s “Side by Side by Side” at the Allen Center in West Newton last night. Repeats Saturday night in Great Barrington.
Bard’s highly recommended but pretty-much sold-out run of Meyerbeer’s Le Prophète continues through next weekend. Tickets and particulars HERE.
An exquisitely detailed love quadrangle materialized among Tchaikovsky, Andris Nelsons, the more-than-willing BSO players, and us engrossed votaries in a Saturday night shed concert that also welcomed Jean-Yves Thibaudet in the Katchaturian Piano concerto and Tania Leon’s sparkling opener.
With its distinctive voice and dramatic engagement, the Jupiter String Quartet, impressed the Concord Chamber Music Society audience at the Concord Academy stage on Sunday afternoon.
By: Lee Eiseman
This week’s BSO subscription concerts (Hannah Kendall’s O flower of fire (American premiere), Liszt’s Piano Concerto No. 2, and Strauss’s Also sprach Zarathustra) welcome back pianist Jean-Yves Thibaudet and the British-Italian-American conductor Sir Anthony Pappano. In his previous BSO stint, Sir A
Boston Symphony Chamber players kept the focus on winds, though piano and strings also took their places on the Jordan Hall stage Sunday afternoon.
Labyrinth, Menotti’s 50-minute blend of satire, surrealism, and moralizing received its American stage debut in Cambridge Chamber Ensemble’s clever revival at Cambridge Multicultural Arts Center lats night. See it tonight or Sunday afternoon. Tickets HERE.
Cherry Orchard Festival brought Maxim Vengerov and Polina Osetinskaya to Symphony Hall last night. Especially in the second half, elegance, engagement, freshness of approach, and fearlessness abounded. The show reprises in Worcester's Mechanics Hall on Sunday. Tickets HERE.
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