Neil Fisher is the Deputy Arts Editor at The Times. He covers a range of topics within culture and society, focusing on arts and entertainment, particularly theater, and often explores themes related to the United Kingdom, Israel, and the Russia-Ukraine War. His work has been featured in Utility Dive, Daily News Gallery, The Longreach Leader, Cover Magazine, and the Reward & Employee Benefits Association (REBA).
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United Kingdom (National)
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Neil Fisher's coverage primarily consists of reviews in the entertainment news sector, with a focus on classical music, concerts, opera, and music festivals. Given this focus, Neil would likely welcome pitches related to upcoming classical music performances or events that may be of interest to his readers.
Since he specializes in writing reviews, reaching out with invitations for him to attend specific events or interview artists and musicians could be effective. Additionally, offering exclusive insights into behind-the-scenes aspects of classical music performances or access to unique stories within the industry might capture his attention.
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Our critics pick the best new releases, updated weekly
The 77-year-old violinist on Putin, Israel, his demanding father — and why he’s not ready to hang up his bow yet
By: Neil Fisher
Forget diets and mindfulness — if you want to transform your life, just listen to the works of the stage musical supremo
By: Neil Fisher, Esther Walker, Antonia Hoyle
Who doesn’t want to shed a few pounds — but without resorting to Ozempic or an extreme diet. Three writers describe how a new strategy paid off this year
At the Royal Opera House, Antony McDonald’s picturebook vision of 19th-century Germany comes alive with passionate performances from singers and orchestra alike
Our critics pick their favourite releases — this list will be updated regularly throughout the year
In the second of his birthday concerts at the Barbican in London, Simon Rattle delivered sensational Tippett and Vaughan Williams alongside Mark-Anthony Turnage’s new concerto
By: Neil Fisher
The conductor talks about bringing Festen to the Royal Opera House, what went wrong at ENO and why orchestras shouldn’t patronise young audiences
Simon Lipkin goes full kosher in his brilliant portrayal of the Fagin in this pacey production at Gielgud Theatre, London
The new offshoot plays mainly melodic, placid music — perfect for Blue Monday
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