Owen Gleiberman is the Chief Film Critic at Variety. He specializes in a wide range of topics within the arts and entertainment realm, focusing on films, documentaries, music, and social issues. Owen has been featured in various prominent publications, including Yahoo News, Toronto Sun, and Chicago Tribune Media Group.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United States (National)
Not enough data
Owen Gleiberman's coverage primarily consists of film reviews, with a specific focus on analyzing and critiquing movies. Given the nature of his work, he would likely be interested in engaging with industry professionals who can provide unique insights into the filmmaking process, behind-the-scenes stories about specific movies or actors, or offer perspectives that add depth to movie critiques.
Considering Owen’s extensive focus on reviewing films and discussing entertainment news and gaming to a lesser extent, experts who can provide thoughtful analysis, historical context or insider knowledge related to these subjects may catch his attention.
Given that there is no specified geographic focus for his work, pitches should aim to appeal to an international audience as opposed to any particular region.
This information evolves through artificial intelligence and human feedback. Improve this profile .
By: Owen Gleiberman
Owen Gleiberman It may not be high praise, but “Gladiator II,” the sequel to Ridley Scott's landmark slash-and-burn ancient Rome spectacular, is
By: Owen Gleiberman
Alexis Bloom's riveting film is built around leaked tapes of the interrogation of Netanyahu by police. He's as sly an actor as he is ruthless an autocrat.
By: Owen Gleiberman
Like a lot of people, I first saw Billy Preston in “Let It Be,” where his luscious electric-keyboard noodlings provided the sweet center to songs
By: Owen Gleiberman
Paris Barclay's documentary explores a maverick who fused with the Beatles, was secretly gay, but wasn't as big a 1970s star as he should have been.
By: Owen Gleiberman
Director David Tedeschi takes vérité footage shot by the Maysles brothers and incorporates it into a meditation on what the Beatles meant in 1964.
By: Owen Gleiberman
Director David Tedeschi takes vérité footage shot by the Maysles brothers and incorporates it into a meditation on what the Beatles meant in 1964.
By: Owen Gleiberman
Moana doesn't have much inner journey left, but the movie has vibrant monsters and a flow of movement that keeps your eyeballs dancing.
By: Owen Gleiberman
At the end of "Moana," which came out in 2016, our plucky Polynesian heroine-who’s-not-a-princess had defeated the giant lava monster Te Kā and returned the heart of Te Fiti, the moss-green goddess of nature. An eager but untested island girl, Moana became a wayfinder, restoring her lush tropical home and discovering, along the way, that her people had always been voyagers. She also bonded with the bickering but insecure refrigerator-bodied hunk demigod Maui, helping to restore his power as well. (At heart, "Moana" was a buddy movie.) All in all, she accomplished quite a bit, which may leave you wondering: What’s left for Moana to do in the sequel?
By: Owen Gleiberman
Lindsay Lohan and Ian Harding play a former perfect couple, with new partners, who must keep their past a secret. But why did they ever break up?
By: Owen Gleiberman
I'm perfectly capable of enjoying a cheesy Lindsay Lohan Netflix rom-com. Last year, I liked “Irish Wish,” and got tweaked for it. (I stand by the
(833) 317-6278 
