Alissa Wilkinson is a Senior Culture Correspondent for Vox, as well as a writer for various other publications including The New York Times and Eater. With a focus on film and cultural analysis, Alissa's work delves into the intersection of art, society, and politics, offering insightful and thought-provoking commentary on a wide range of topics.
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Alissa Wilkinson’s coverage predominantly consists of movie reviews, event coverage, and expert commentary within the film industry. She seems to be interested in unique perspectives on movies, particularly those that have cultural or societal implications.
Given her focus on lifestyle and entertainment themes like film, Oscars, movie reviews, Hollywood, and pop culture; she would likely appreciate pitches from experts who can provide insightful analysis into emerging trends in the film industry or offer a fresh take on popular culture phenomena related to cinema.
As Alissa doesn't have a specific geographic focus mentioned but covers international aspects of films and entertainment-related topics. Therefore, consider providing insights that are globally relevant rather than region-specific when reaching out to her with pitches.
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Sebastian Stan and Adam Pearson star in a marvelously inventive dark comedy about a man who can’t change his insides.
Alissa Wilkinson The New York Times Company The apocalypse started earlier this year.
By: Alissa Wilkinson
“Happy Clothes” covers her work on “Emily in Paris” and “Sex and the City,” as well as her time as a tastemaker in the 1970s and ’80s underground.
By: Alissa Wilkinson
Some of the devastating information presented in the new film “Borderland: The Line Within” (in theaters) is familiar from recent documentaries. Filmmakers concerned with the humanitarian crisis at the U.S.-Mexico border understand how the camera can draw attention to what news reports and punditry miss: the human cost of government policies and law enforcement practices. Putting faces on abstract numbers activates empathy in a way no speech ever really can.
By: Margaret Lyons, Alissa Wilkinson, Wendy Dorr, Elyssa Dudley, Sophia Lanman, Kate Lopresti, Jason Zinoman
In a world of infinite media, why do we watch bad TV?
A lackluster prequel to the 1968 horror classic “Rosemary’s Baby” doesn’t have much to add.
A taut and thrilling thriller about sleep issues is also a clever drama about early marriage.
By: Alissa Wilkinson
Will Ferrell and Harper Steele, a former “Saturday Night Live” writer, use a road trip to navigate their relationship now that she is out as a trans woman.
A limp body-swapping comedy doesn’t really know what makes its subgenre so funny.
Saoirse Ronan gives another stunning performance in a story about an alcoholic in search of healing.
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