By: James Poniewozik, Alissa Wilkinson
The HBO comedy, which wrapped up on Sunday, often seemed to be about whatever was keeping Lisa Kudrow and her collaborators up at night. But Valerie Cherish remained undaunted.


First-Year MFA Creative Nonfiction Mentor
Alissa Wilkinson is a critic at The New York Times and a First-Year MFA Creative Nonfiction Mentor. With a focus on film and cinema, she has been writing about movies since 2005, contributing to various publications including Vox and Rolling Stone, and exploring themes of American mythmaking in her recent book, “We Tell Ourselves Stories: Joan Didion and the American Dream Machine.” Alissa has been featured in numerous outlets such as The Dallas Morning News, The Salt Lake Tribune, and The Sydney Morning Herald.
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United States (National)


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Alissa Wilkinson’s coverage predominantly consists of movie reviews, event coverage, and expert commentary within the film industry. She seems to be interested in unique perspectives on movies, particularly those that have cultural or societal implications.
Given her focus on lifestyle and entertainment themes like film, Oscars, movie reviews, Hollywood, and pop culture; she would likely appreciate pitches from experts who can provide insightful analysis into emerging trends in the film industry or offer a fresh take on popular culture phenomena related to cinema.
As Alissa doesn't have a specific geographic focus mentioned but covers international aspects of films and entertainment-related topics. Therefore, consider providing insights that are globally relevant rather than region-specific when reaching out to her with pitches.
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