Paul Lê is a journalist who writes for BLOODY DISGUSTING, LLC, specializing in horror movies. With a focus on cult favorites, hidden gems, and revisiting classic horror films, Paul provides in-depth reviews and analysis for horror enthusiasts.
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Paul Lê predominantly covers horror movies with a focus on reviews, hidden gems, and seasonal themes. Given his interest in reviewing horror films and highlighting hidden gems, he may be interested in pitches related to upcoming or recently released horror movies that have received less mainstream attention but are noteworthy for their quality or unique elements.
As Paul frequently focuses on cult favorites, holiday-themed horrors, and lesser-known titles within the genre, pitching stories about similar underappreciated films or trends within the horror industry could resonate well with him.
Consider offering insights into emerging trends within the horror film industry or exclusive interviews with directors, writers, or actors involved in creating unconventional or niche horror content.
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By: Paul Lê
By the time Toby Wilkins ' 2008 film Splinter first arrived on the scene — a limited theatrical premiere on Halloween — zombies were everywhere.
By: Paul Lê
A sense of déjà vu is inevitable when watching Hanna MacPherson 's Time Cut . Just like Totally Killer , a movie that came out only a year ago, this
November 2024's Deep Cuts Rising includes horror hidden gems like The White Buffalo, I Madman, and The Rage.
Is Stepfather II: Make Room for Daddy really as bad as the critics made it out to be? It's time to revisit the sequel after 35 years.
While many works of Richard Matheson ended up on the small screen, the author was a giant when it came to genre.
By: Paul Lê
The road from comedy to horror is a short one for Black Cab lead Nick Frost , yet unlike past roles, this new one isn't played for laughs.
By: Paul Lê
Tales of the Unexpected (1979–1988) started off with a foundation of Roald Dahl -based stories , but over time, this classic television anthology sought out other inspirations.
By: Paul Lê
The After Dark Horrorfest was a game-changer back when it premiered in 2006. Not only was this film festival devoted to the horror genre, it was accessible.
The road to turning Husk into a longer feature was not without its bumps. While Brett Simmons ‘ 2005 short film was met with favorable responses at
By: Paul Lê
As traditional slashers clung on for dear life in the early 1990s, police procedural films took off.
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