Rachel Weinberg is a journalist based in Chicago, Illinois, specializing in local theater and arts coverage. She writes for BroadwayWorld.com, providing reviews and features on various theatrical productions in the Chicago area. Rachel's passion for the arts shines through in her insightful and engaging articles.
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Rachel Weinberg's coverage predominantly consists of reviews, with a focus on theater and entertainment news. She appears to concentrate on local Chicago-based events and productions. Given this, she would likely be most responsive to pitches related to local theater performances, particularly those taking place in the Chicago area.
As Rachel focuses primarily on reviewing theatrical productions and cultural events within her geographic area, she is likely seeking pitches that align with these themes. If you have unique insights or access related to upcoming local theater shows or entertainment news in the Chicago region, it may pique her interest.
Considering her extensive coverage of reviews for various shows and performances across different venues in Illinois and specifically Chicago, reaching out with information about new or noteworthy productions could be effective.
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Michael Frayn 's NOISES OFF is a genuinely funny homage to classic British farce, replete with more doors and sardines than seems humanly possible.
Goodman Theatre's season-opening production of INHERIT THE WIND centers on a fictionalized version of the 1925 “Scopes Monkey” trial — at its heart, a debate on creationism vs. evolutionism.
By: Rachel Weinberg
HARRY POTTER AND THE CURSED CHILD is three hours of nostalgia-fueled, utterly captivating theater...with heaps of stage magic.
By: Rachel Weinberg
Emmet Smith stars as Albus Potter, Harry Potter's middle son and the play's protagonist, in the national tour of HARRY POTTER AND THE CURSED CHILD.
Magician Siegfried Tieber's sparkling, genuine charm is every bit as magical as his tricks in his special engagement at THE MAGIC PARLOUR.
Namir Smallwood’s performance as Kenneth is a real testament to his superb abilities as a performer and the intimacy of PRIMARY TRUST becomes more profoundly emotional thanks to him.
By: Rachel Weinberg
SOME LIKE IT HOT brings old-fashioned musical comedy, hijinks, and a ton of superbly executed tap dancing to the stage.
By: Damien Winch, Claire Henham, Rachel Weinberg
Before Christopher Hyrsanidis shared the details for his debut collection, he wasn't a familiar name. His bare Instagram profile confirmed he was skilled, though.
By: Rachel Weinberg
The Second City's latest e.t.c. revue BEST KEPT SECRET: TELL EVERYONE wants to remind audiences that life is a cabaret, old chum.
In Ngozi Anyanwu’s LEROY AND LUCY, two strangers meet at a crossroads in Mississippi...and not much happens. Based upon the myth of Robert Johnson, who supposedly sold his soul to the devil to make it as a blues musician, the play finds Leroy (Jon Michael Hill) and Lucy (Brittany Bradford) in a liminal space. And that’s precisely the challenge of this play: Anyanwu’s characters don’t know each other and literally exist on Andrew Boyce’s empty (but pretty) set. It’s a tall order to create high stakes when characters are unknown to each other, and unfortunately, Anyanwu’s play isn’t dynamic enough to sustain its 90-minute run time.
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