Rachel Weinberg is a Contributing Editor and Critic at BroadwayWorld Chicago. With a focus on arts and entertainment, particularly in the realm of theater, Rachel has extensively covered plays and musicals since joining the team in 2014. Her work has also been featured in Training Magazine and BroadwayWorld.com.
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Chicago, United States (Local)
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Rachel Weinberg's coverage predominantly consists of reviews, with a focus on theater and entertainment news. She appears to concentrate on local Chicago-based events and productions. Given this, she would likely be most responsive to pitches related to local theater performances, particularly those taking place in the Chicago area.
As Rachel focuses primarily on reviewing theatrical productions and cultural events within her geographic area, she is likely seeking pitches that align with these themes. If you have unique insights or access related to upcoming local theater shows or entertainment news in the Chicago region, it may pique her interest.
Considering her extensive coverage of reviews for various shows and performances across different venues in Illinois and specifically Chicago, reaching out with information about new or noteworthy productions could be effective.
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MA RAINEY'S BLACK BOTTOM is a well-acted, slow-burn character study. August Wilson 's 1982 play centers on a fictitious 1927 Chicago album recording, as
Tarrell Alvin McCraney 's world-premiere play WINDFALL is part somber, part whimsy — which is true to his unique playwriting style.
By: Rachel Weinberg
THE GREAT GATSBY packs in plenty of melodrama. Based on the iconic Jazz Age novel by F.
The blame game's the thing in FAULT at Chicago Shakespeare Theater. In this world premiere from Scooter Pietsch , wealthy and privileged married
Though it's a musical about a support group for internet addicts, Dave Molloy's Octet is delightfully analog.
What happens when you make a deal with the devil? Covenant asks its characters to find out. Drawing inspiration from both horror films and classic blues music, York Walker’s Chicago premiere play follows a group of characters as they explore their faith — in both Christianity and the supernatural.
By: Rachel Weinberg
Monty Python’s Spamalot is a jubilant and genuinely hilarious touring rendition of the 2023 Broadway revival. If you’re looking for hearty laughs and a winning combo of slapstick humor,witty pop culture, and musical theater references, Spamalot’s got it in spades.
Rugged masculinity meets forbidden queer romance in Brokeback Mountain. Based on Annie Proulx 's short story (which was adapted into a buzzy 2005
By: Rachel Weinberg
Two-time Tony award nominee Sarah Stiles shares a preview of what’s to come in Goodman Theatre’s new summer musical Iceboy!, or The Completely Untrue Story of How Eugene O’Neill Came to Write “The Iceman Cometh.”
Tom Stoppard’s Leopoldstadt follows multiple generations of an Austrian Jewish family from prosperity to despair — spanning over 50 years from 1899 to 1955. Now in its Chicago-area premiere at Writers Theatre, the late Stoppard’s final play includes a cast of 24 actors and many, many characters. Leopoldstadt (named after the Jewish quarter of Vienna) is a sprawling and ambitious work.
