Randy Baguinon

The Dallas Architecture Forum will present Edward M. Baum FAIA. Baum has achieved distinction in parallel professional and academic careers. He holds undergraduate and graduate degrees from Harvard with highest honors.

Nasher Sculpture Center will present "Lost Lands and Sunken Fields,," a major exhibition by Haegue Yang (b. Seoul, 1971). Across the museum’s spaces, the exhibition features newly conceived airy and sprawling installations and a dense arrangement of her previous sculptures.

Matt Rife comes to Dallas as part of his Stay Golden tour. Rife self-produced two comedy specials, Only Fans and Matthew Steven Rife, both available on YouTube, which led to two Netflix specials, Matt Rife: Natural Selection and Lucid. He is set to take on a leading role in Rolling Loud, an R-rated comedy co-produced by Live Nation Productions.

Janet Chaffee's work is an intuitive and playful exploration of composition, color, and abstraction combined with elements of nature. The initial drawings for this work are derived from found rock formations along the border of California and Mexico as well as, from the Continental Divide of the Rocky Mountains. Chaffee also draws from found lace work. The lace becomes a screen in each painting. Allowing the viewer to stay on the surface or pass through to discover layers beneath.

Alex Da Corte's "The Whale" is the first museum exhibition to survey the interdisciplinary artist’s long relationship with painting. Focusing on the past decade of Da Corte’s career, this exhibition features more than 40 paintings, several drawings, and a video that considers painting as a performative act.

Tanya Tucker comes to Dallas in support of her 2023 album, Sweet Western Sound.

All four original members of Soul Coughing - Mark degli Antoni, Mike Doughty, Yuval Gabay, and Sebastian Steinberg - are returning for an encore tour, their first in 25 years. Each performance will feature songs from their catalog - El Oso, Irresistible Bliss, and their genre-defining debut album, Ruby Vroom.

Ben Kweller comes to Dallas in support of his new album, Cover The Mirrors.

Parker McCollum comes to Dallas as part of his What Kinda Man tour. He has released five albums in his career, most recently Never Enough in 2023.

The Torlonia Foundation will present the North American tour of "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection," a major exhibition of ancient Roman masterworks marking the first time these works have been shown outside of Europe. Selections from the Collection, assembled and stewarded by the Torlonia Family beginning in the early-19th century, will come to Fort Worth as part of the Foundation’s mission to showcase these extraordinary historical works to the public.Established during the course of the 19th century by the Franco-Italian banker Prince Giovanni Torlonia and his son Alessandro, the Torlonia Collection was handed down over generations, eventually growing into the largest private collection of ancient Roman sculptures. Today, the Torlonia Foundation represents the culmination of the Family’s continued passion for art. Created at the behest of Prince Alessandro Torlonia (1925–2017), the Foundation’s mission is to preserve and promote the Torlonia Collection and Villa Albani Torlonia. The Foundation is an exceptional repository of artistic heritage, with works that speak to some of the most pivotal moments of Western civilization, the history of collecting, and the history of archaeology and restoration.In 1876, Prince Alessandro Torlonia (1800-1886) created a museum to house and exhibit the Family’s holdings, which was open to small groups until its closure at the onset of World War II. The sculptures remained unseen by the public from that time until the Foundation’s first exhibition at the Musei Capitolini in Rome in 2020. Next year the collection will come to North America after drawing unprecedented audiences (more than 600,000 visitors to date) at the Louvre, the first presentation of the collection outside of Rome.All of the sculptures in the exhibition have been restored by the Foundation with the support of Bvlgari. The exhibition is accompanied by a catalogue co-published by the Art Institute of Chicago and the Torlonia Foundation, edited by Lisa Ayla Çakmak and Katharine A. Raff, with essays by Silvia Beltrametti and Salvatore Settis.