It’s like one of those boring, incomprehensible Wes Anderson films that they make up, scene by scene, as they go along.
Rex Reed is a film critic at the Observer. Renowned for his extensive reviews of the film industry, he also delves into topics related to authors, books, and publishing houses, showcasing a broad interest in storytelling across various mediums. Reed's work has been featured in numerous prestigious publications, and he is recognized for his contributions to the literary and cinematic landscapes.










