Rex Reed is a renowned film critic and journalist known for his sharp and often controversial reviews. With a focus on the world of cinema, Reed writes for the Observer, offering his unique perspective and critique on the latest films and performances.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Rex Reed's coverage is primarily focused on film reviews, movie recommendations, actors, directors and the awards season. He seems to have a keen interest in critically analyzing films and providing his opinions on performances and cinematic works.
In reaching out to Rex Reed, consider offering access to exclusive interviews with actors or directors, advance screenings of highly anticipated movies along with insights into emerging talents or trends in the film industry. It would also be beneficial to provide unique perspectives that align with his review-centric content.
This information evolves through artificial intelligence and human feedback. Improve this profile .
Filmed on authentic locations in Poland by meticulous Canadian director Louise Archambault, ‘Irena’s Vow’ is one of the most astounding true stories to ever emerge from the ashes of the…
I don't remember any movie as all-consumingly hopeless and depressing.
After five Broadway incarnations of Cabaret and endless productions worldwide, you'd think, by now, they'd get it right—in their sleep.
John Travolta doesn't act much anymore. Call it semi-retirement. On the rare occasion when someone talks him into taking up his old position before
If nobody cares enough to stage a career intervention, then it’s up to John Travolta to rescue himself.
Rachel McAdams' voice is perfectly modulated for the movie screen but, unfortunately, not for the stage.
All of the characters are halfway to madness, but I had a ball going bonkers with them.
Never mind. In one of the best performances I've seen this year, James Norton is strong but sensitive, especially in the scene where he tries to explain to the child how to feel and behave after Daddy is no longer around. The intimacy of his rapport with little Daniel Lamont is a revelation. For a film about loneliness and death, it's tender, intelligent and life-affirming without ever being maudlin and mawkish. A rare and distinguished film indeed.
Best of all, Johnny Depp honors the fact that this is not a film about him.
Surely, you hope, this turkey will eventually come to life. Surely, you think, with one eye glancing at the exit door, it will turn out to be about something.
(833) 317-6278 
