Rob Hunter is an Associate Editor and Chief Film Critic at Film School Rejects. He covers a diverse range of topics within the arts and entertainment sphere, focusing on film and cinema, while also exploring the food and beverage industry. Rob's insights and critiques have been featured in notable outlets including Film School Rejects, Manx Radio, and SlashFilm.
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Rob Hunter’s coverage heavily features expert commentary and opinion editorial, indicating a preference for analyses, reviews, and insights related to movies and entertainment. Therefore, he may be more responsive to pitches offering expert opinions on film-related topics or exclusive interviews with industry insiders.
Given the prevalence of movie-related themes in his articles, Rob would likely appreciate pitches that align with his focus on horror movies, streaming services updates, as well as analysis of films from various genres. This could include insider knowledge about upcoming releases or trends within the film industry.
While no specific geographic focus is mentioned for Rob's coverage attributes suggest an international perspective on entertainment news rather than a localized one.
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By: Rob Hunter, Christopher Nolan
Skydiving horror and Kate Siegel’s directorial debut are the standouts here.
By: Rob Hunter, Christopher Nolan
Zombie movies — and I’m including aggressive infection movies like 28 Days Later (2002) and The Sadness (2021) under that umbrella term, too — usually share more than a few strands of horror film DNA. They introduce protagonists, drop them in growing nightmare of undead/infected masses, and leave us wondering how they’ll survive the murderous, flesh-chomping madness all around them. The new French outbreak thriller MadS takes a slightly different tact, though, and it does so while under the illusion of one single, increasingly chaotic take.
Big-screen erotic thrillers arguably peaked back in the late 80s and early 90s, both in quantity and quality, but connoisseurs of fleshy, murderous antics know that the subgenre isn’t quite dead. Deep Water (2022) and Fair Play
By: Rob Hunter, Christopher Nolan
And it’s also the bloodiest, goriest, gnarliest entry in the Christmas horror subgenre, yet.
By: Rob Hunter
Dylan O'Brien headlines a new Max Original Film about people, loss, and the search for answers. We review Caddo Lake.
UCM's head chef lecturer walks us through it step by step
Prison escape stories have long seemed to capture our imagination because they speak to our love of antiheroes and underdogs, From Alexandre
Every state has its own histories, landscapes, and stories worth telling, but some lend themselves to more visually stimulating tales than others.
Streaming might be the future, but physical media is still the present. It's also awesome, depending on the title, the label, and the release, so join us as we take a look at the new 4K UHDs, Blu-rays, and DVDs making their way into the world. Now join us as we explore... some of the best new 4K UHD releases from KL Studio Classics!
Some people love to say that physical media is dying, but those people are toxic and should be cut out of your life.
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