Ross Mcindoe

The further things go off the rails, the more 'Late Night with the Devil' revels in its retro special effects.

Having Giancarlo Esposito in the driver’s seat prevents AMC's crime drama 'Parish' from spinning out altogether.

The series allows us to get comfortable in the familiar rhythms of a detective show just so it can then completely wrongfoot us.

Writer-director Shane Atkinson’s 'LaRoy, Texas' wears its Coen brothers influence on its sleeve.

'Arcadian' teases out the reveal of its creatures at just the right pace, building tension without stringing us along too far.

The series doubles as both a high-speed comedy and a dark, biting drama.

Benoît Delhomme's 1960s-set directorial debut awkwardly pitches itself between a somber drama and antic melodrama.

'Back to Black' reduces the entire story of an utterly unique and endlessly complicated person to little more than a sexist trope.

Katherine Propper’s debut feature, 'Lost Soulz,' is a road-trip movie driven by good vibrations and the joy of making music.

For a series that features a Trump-esque tycoon in a tale of police brutality, it has very little to say.