Sean Burns is a journalist based in Boston, Massachusetts, focusing on local arts and culture. He writes for WBUR and his work has also appeared in PortSwigger. Sean's articles cover a range of topics including film reviews, cultural commentary, and interviews with prominent directors and actors.
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Sean Burns focuses on reviewing and covering local film events in the Boston, Massachusetts area. He particularly emphasizes American cinema, film editing, and retrospectives. If you have insights into local film industry events or can offer expert commentary related to American cinema or specific films being showcased in the Boston area, your pitches are more likely to catch his attention.
As a critic who provides opinions and exclusive coverage of cultural events, Sean may also be interested in receiving pitches that tie relevant societal or cultural topics with current films being featured at local venues.
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A packed survey at the National Portrait Gallery in London reveals an artist who was the architect of his own myth
This time of year, there's something to be said for curling up at home under a blanket and staying up too late watching scary movies.
Vanya hired Ani to be his girlfriend for a week. Played by Mikey Madison, Ani's a 23-year-old stripper from Brighton Beach, a graduate from
So, how big did they go? They've managed to fit 14 movies into the festival's five days, running from Thursday, Oct. 31 through Sunday, Nov. 3 at the Brattle Theatre, before moving over to the Somerville Theatre on Monday, Nov. 4 for a special 70mm screening of all 26 reels and 300 lbs. of “ The Brutalist .”
In director Jacques Audiard's film, a drug kingpin fakes her death and transitions to life as a philanthropist making amends for past misdeeds. "The film is a bloody, violent tragedy set in the streets of Mexico City but also a splashy musical shot almost entirely on Paris soundstages," critic Sean Burns reviews.
For a lot of people, November means football and turkey sandwiches. But for film buffs, it means blind alleys, blonde bombshells and suitcases full of cash.
Catherine Breillat's debut feature (now streaming in a Criterion Channel retrospective) is not your typical “summer that changed my life” story.
Institutional constituents hope to see improved efficiency and support for users across campus from the use of AI tools in communications applications.
Once banned for obscenity, his X-rated comedies are canonized in the Criterion Collection and National Film Registry. Now he's receiving the Coolidge Award and the theater is running a six-film retrospective of his work. “I’m getting so respectable, it’s scary,” Waters said.
Stop me if you've heard this one: A candy-colored phenomenon beloved by women of all ages is making its big-screen debut on the same day as a violent, R-rated historical epic with far more masculine appeal.
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