Sean Burns

Set in an alternate universe New York City, the film follows Adam Driver’s tortured genius Caesar Catalina, a blueblood architect and inventor who dreams of rebuilding the city as a utopia equitable for all. WBUR critic Sean Burns calls it a "grandiose, go-for-broke folly."

The title “ Corpses, Fools and Monsters ” came about in a conversation between trans film critics Caden Mark Gardner and Willow Catelyn Maclay in

Institutional leaders want and plan to advance their use of analytics in many functional areas across campus, but doing so will require overcoming numerous challenges that call for new strategies and technologies.

Director Ali Abbasi frames the film as a riff on "Pygmalion," with an aspiring young slumlord from Queens becoming the toast of Manhattan under the toxic tutelage of sleazy power player Roy Cohn, reviews critic Sean Burns.

This riotously funny 1970 social satire (streaming on Amazon, Tubi, and Plex) showcases star Robert De Niro and director Brian De Palma well before the establishment of their respective personas.

A packed survey at the National Portrait Gallery in London reveals an artist who was the architect of his own myth

This time of year, there's something to be said for curling up at home under a blanket and staying up too late watching scary movies.

Vanya hired Ani to be his girlfriend for a week. Played by Mikey Madison, Ani's a 23-year-old stripper from Brighton Beach, a graduate from

So, how big did they go? They've managed to fit 14 movies into the festival's five days, running from Thursday, Oct. 31 through Sunday, Nov. 3 at the Brattle Theatre, before moving over to the Somerville Theatre on Monday, Nov. 4 for a special 70mm screening of all 26 reels and 300 lbs. of “ The Brutalist .”

In director Jacques Audiard's film, a drug kingpin fakes her death and transitions to life as a philanthropist making amends for past misdeeds. "The film is a bloody, violent tragedy set in the streets of Mexico City but also a splashy musical shot almost entirely on Paris soundstages," critic Sean Burns reviews.