Stephanie Zacharek is a Film Critic at TIME. She specializes in arts and entertainment, with a focus on film and cinema, and often covers topics such as movie reviews and the impact of cinema on contemporary issues. Stephanie has been featured in various outlets including Yahoo News, AOL, and NewsBreak.
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Stephanie Zacharek predominantly covers the entertainment industry with a focus on movie reviews and profile features. She would likely be interested in pitches related to new film releases, interviews with actors or directors, and analysis of current trends within the industry.
Given her strong emphasis on review articles, she may also appreciate pitches that provide early access to upcoming movies for review purposes or offer exclusive insights into highly anticipated films.
While there is a specific mention of Leonardo DiCaprio in some article titles, it's important to note that this doesn't necessarily indicate a primary interest in him as a topic. Instead, Stephanie's coverage suggests an overall affinity for movies across various genres.
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T his has been a difficult year. You may have been buffeted by anger you didn't want to feel, and didn't know how to productively process.
Mike Leigh's drama, starring Marianne Jean-Baptiste as a woman at war with the world, draws out compassion you might not have even known was there.
W e watch movies for so many reasons: the spectacle of great cinematography, the experience of connecting with a director's ideas, the sheer pleasure of watching a story unfold before us.
RaMell Ross' radical approach to this Colson Whitehead adaptation doesn't always work, but one central performance keeps it grounded.
By: Stephanie Zacharek
T he Bob Dylan of James Mangold's extraordinary anti-biopic A Complete Unknown —who may or may not be an accurate version of the real Bob Dylan —is a jerk.
By: Stephanie Zacharek
T ouching in our optimism, we often call age 50 midlife , but who are we kidding? While it's true that a not inconsiderable number of people make it to age 100, most of us are likely to poop out before then.
C igarettes, coffee, candy. According to legend, and to people who spent time with him, these were the things David Lynch would fuel up on, substances
IT'S A STRANGE SENSATION, TO END up loving a movie that makes you feel physically uncomfortable for nearly its whole runtime. In Hard Truths, from veteran filmmaker Mike Leigh, Mari-anne Jean-Baptiste plays a woman at war with the world, and herself. She practically vibrates with belligerence: she can't go to the grocery store without having a run-in with the cashier; her husband mostly avoids her; her grown son spends his time locked in his room—his only relief is to leave the house for long walks to escape his mother's angry force field. Why would you care about this woman's story? For much of the film you may be yearning to get away from her. I was.
A s a culture, we're hard on our beautiful blondes. We may automatically presume everything should be easy for a conventionally gorgeous, flaxen-haired performer with a visible-from-space smile.
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