Tristan Bruns

Few artists have faced as much backlash as Ben Vereen, star of stage and screen, who performed a tribute to legendary vaudevillian Bert Williams—the first Black actor to appear on Broadway—at Ronald Reagan’s inaugural gala in 1981. Vereen’s act is the subject of the play “Until, Until, Until…” (2015) created and directed by conceptual artist Edgar Arceneaux and co-written by Kurt Forman.

“Coronation” is a thoughtful roadmap for progressive politics on what not to do, and director and executive producer Wolff and company again exceed expectations—the end of civilization as we know it never looked so good!

Remy Bumppo’s “Dear Elizabeth” is a superb example of historical fiction and a fitting celebration of two prolific artists.

Director Manny Buckley navigates Wilson’s nuanced dialogue and perfectly timed beats of action in a play that should satisfy those new to the playwright and dedicated “Wilsonites” alike.

If you’re looking to uphold the tradition of seeing a Christmas show, “White Christmas” at Marriott Theatre is a solid choice.

For centuries, sound designers and engineers have been crafting soundscapes to enhance storytelling, evoke emotions and create immersive experiences, and the tradition not only lives on but has evolved.

If you’re looking for a period piece with all the trimmings, this one is for you. Great pacing, beautiful set and sound design and a cast of capricious characters make “The Wickhams: Christmas at Pemberley” a great way to kick off the holiday season.

“Dames at Sea” is campy, goofy and rushes through Broadway tropes, but will leave you with a smile on your face and a song in your heart.

“& Juliet” will delight the casual theatergoer with its glitzy, rock concert aesthetic, tongue-in-cheek plot and world-class singing and dancing.

Lifeline Theatre’s production of “Kid Prince and Pablo” is a worthy successor to Twain’s classic story, updated for modern times and modern tastes, with universal truths that are well-worn in prose but are worth repeating.