Vivian Kane is a Senior News Editor at The Mary Sue. She specializes in arts and entertainment, with a particular focus on theater, including plays and musicals. Vivian's work has been featured in The Mary Sue, KC Studio, and The Pitch.
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Kansas City, United States (Local)
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Vivian Kane's coverage spans politics and entertainment news, with a focus on government announcements, opinion editorials, event coverage, and legal policy regulation. She would likely be interested in pitches that provide unique perspectives or insider insights into political events or developments within the Republican Party.
For entertainment-related pitches, consider topics related to movies or other forms of popular culture that tie into her articles' themes. Given her focus on both politics and entertainment news without a specific geographic focus mentioned, she may appreciate diverse viewpoints from various locations.
When reaching out to Vivian Kane, keep in mind her interest in well-informed opinions and analysis across political and entertainment news stories.
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McKenzie Greenwood, Raine Bertoldie, and Robert Coppage III in The Crucible (Phoenix/Arts Asylum) The Arts Asylum cites as part of its mission a commitment both to fostering new, inclusive works, a…
By: Vivian Kane
Jocelyn Bioh's Jaja's African Hair Braiding opens with the titular salon owner's daughter, Marie (Aggie Williams), rushing to open her mother's Harlem shop.
By: Vivian Kane
Euripides' The Trojan Women centers on a very specific moment in Greek mythology: Following the fall of Troy, the city's most prominent women face
By: Vivian Kane
After spending decades establishing itself as a premier producer of classic and contemporary musicals in Kansas City, Music Theater Heritage is currently running its first-ever original production.
By: Vivian Kane
The incident that inspired Carlyle Brown's The African Company Presents Richard III is a fascinating bit of theatre history that today is largely, tragically, unknown.
Since the moment KCRep announced its current season, I've been looking forward to their mounting of The Wizard of Oz.
By: Vivian Kane
Unicorn Theatre's current production of Don't Touch My Hair deals with some extremely heavy subject matter, from slavery to sexual assault to modern racism and cultural appropriation.
centers on a real-life mystery from the author's life, when she went missing for 11 days in 1926, reappearing at a hotel with a possible case of amnesia. The play approaches this mystery from two angles: We watch the author unravel in her present as a modern-day fan works to uncover the truth of what happened.
By: Vivian Kane
The Heart of America Shakespeare Festival is back for its 34th season with one of Shakespeare's most macabre tragedies,
By: Vivian Kane
The KC Fringe Festival kicks off this weekend , with 36 shows ranging from dance to improv to autobiographical dramas.
