Wendy Ide is a film critic who writes for The Guardian and has also been featured in the Financial Times. With a keen eye for cinema, Wendy provides insightful and thought-provoking reviews and articles on a wide range of films, from acclaimed debuts to lesser-known gems. Her work showcases her passion for the art of filmmaking and her ability to analyze and critique the industry.
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By: Alexis Petridis, Wendy Ide, Helen Pidd, Rebecca Nicholson, Lucy Mangan
Sometimes a film, gig or sex-positive puppet show is so excruciating that awarding it one star just isn’t damning enough. How do writers who’ve written zero-star reviews feel about the worst shows they’ve ever seen now?
By: Wendy Ide
All the creepy tropes come out of the closet when a mother and daughter battle unknown forces after the father bites the dust
By: Kevin Maher, Ed Potton, Tim Glanfield, Joe Clay
Looking for the latest and greatest films fresh from the cinema to rent or buy, or fancy a movie classic this week? Our experts pick the best films on TV, to stream, rent and buy
By: Wendy Ide
Reprising his role as lovable undercover cop Axel Foley, the actor – and some full-on car-chase carnage – can’t disguise a plot several decades past its sell-by date in debut director Mark Molloy’s slickly packaged action comedy
Tatiana Huezo captures the rhythms of life and locals’ thwarted dreams in her keen portrait of a Mexican village
By: Wendy Ide
Director Ali Kalthami shows the city as never before, through the eyes of a desperate delivery man negotiating a world of gangsters and illegal alcohol
By: Wendy Ide
Using newly revealed archive footage and dramatic reconstructions, director Peter Middleton breathes new life into the familiar events of 1970
This award-winning account by Palestinian and Israeli film-makers of the brutal expulsion of Palestinian villagers by the Israeli army is essential viewing
By: Wendy Ide
Almost 20 years since their last outing, the cheese-loving inventor and his ever-dependable dog resume battle with a feathered fiend in this precision-tooled caper
From Jonathan Glazer’s unforgettable view of Auschwitz to Sean Baker’s profane Cinderella story, daring directors proved there’s substance in style
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