Will Bjarnar

More films should be willing to take such harrowing risks like WASTEMAN, but few will result in achievements as bold and brilliant as this. Perhaps they’d be best not to try.

THE STORY – Ten‑year‑old Rabia defies rural superstition and bureaucratic neglect to uncover why her school abruptly closed. Untangling eerie rumors, corrupt local power, and silence, she undertakes a solitary, courageous search for truth and justice. THE CAST – Nazualiya Arsalan, Samina Seher, Adnan Shah Tipu, Vajdaan Shah, Muhammad Zaman, Kehan Naqvi, Taha Khan, Ziarat […]

THE HISTORY OF SOUND is a work willing to live and die by its emotional heft.

Akinola Davies Jr.’s semi-autobiographical debut, co-written with his brother Wale, depicts childhood memories in elegant, heartbreaking fashion.

SPRINGSTEEN: DELIVER ME FROM NOWHERE understands those ideas, but it’s more prone to sit with them than to explore them with the depth they deserve.

Mascha Schilinski's second feature film – and first since 2017 – announces the German director as a major cinematic voice.

Jennifer Lawrence's journey in Die My Love highlights her transformation into complex women shaped by male storytellers.

BELOW THE CLOUDS is a patient look at annihilation.

THE FENCE is a stagey Claire Denis film that is still worth watching

Unpack the meaning of Sirāt in the context of nightlife, music, and the rave scene with a unique personal perspective.