Arthur Kaptainis is a journalist based in Toronto, Ontario, Canada. He primarily writes for Ludwig Van, a publication focused on classical music and the arts. Arthur's articles cover a range of topics, including music criticism, cultural events, and reviews of performances. His work has also been featured in the Montreal Gazette.
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Arthur Kaptainis primarily focuses on providing event coverage and reviews within the entertainment industry, with a focus on film, art, music, literature, and theater. If you have information about upcoming events or releases in Ontario or Toronto within these areas of interest, consider reaching out to him. Additionally, if you have insights into the local entertainment scene that could be of interest to his readership in Canada or Ontario specifically, this would likely pique his interest.
Kaptainis' work suggests he values offering critical perspectives on cultural events. Therefore, he may be interested in pitches from experts who can provide insightful analysis or opinions related to ongoing trends or developments within the Canadian entertainment industry.
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Something old, something new: Gustavo Gimeno and the Toronto Symphony Orchestra are hedging their bets this weekend in Montreal and Ottawa.
By: Arthur Kaptainis
TORONTO — Continuously if not prominently in the repertoire since its premiere in 1797, Medea is understood to be an opera that demands a diva in the title role.
Concerts come in various shapes and sizes, including irregular, which is one way of describing the Toronto Symphony Orchestra program heard Wednesday in Roy Thomson Hall.
By: Arthur Kaptainis
Mahler's Third Symphony served the Toronto Symphony Orchestra admirably on Thursday as a classical-season sendoff to the 2023/24 season.
By: Arthur Kaptainis
JOLIETTE, Quebec — Good to see a healthy crowd on Aug. 3 for the Mahler Seventh, arguably the most demanding of his symphonies.
By: Arthur Kaptainis
MONTREAL — As all music lovers know, or should know, the year 2024 marks the 200th anniversary of the birth of Anton Bruckner.
By: Arthur Kaptainis
Beethoven: Piano Sonata Op. 106 Hammerklavier ; Piano Sonata Op. 2, No. 3. Marc-André Hamelin, piano. Hyperion CDA68456 . Total time: 68:59.
The Canadian Opera Company's production of Gounod's Faust offers some redemptive singing, notably by Long Long, the tenor in the title role.
By: Arthur Kaptainis
MONTREAL — Awards and prizes for contemporary music are plentiful but not — with the exception of the Pulitzer — familiar to concertgoers.
PERSPECTIVE — Not the first trip to Europe by the Orchestre symphonique de Montréal. Not even the first with its music director of two-and-a-half
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