Charles Bramesco is a Film and TV Critic at The Guardian and Vulture. He specializes in movies and television, with a keen focus on reviews, crime narratives, and streaming content. Charles is featured in a variety of prominent outlets including Vanity Fair, IndieWire, and The A.V. Club.
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Charles Bramesco's articles predominantly focus on entertainment, particularly in the form of reviews and event coverage related to comedy, television, movies, filmmakers, and sitcoms. Given this focus on providing reviews and covering events within the entertainment industry, he would likely be interested in pitches that offer unique angles or exclusive access to events related to comedic performances, film screenings, TV show premieres or behind-the-scenes insights into filmmaking.
Bramesco appears to have a broad international scope when it comes to his coverage. Therefore, if reaching out with specific events or stories for consideration should consider their global appeal rather than being limited by geographic location.
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Now starring in 'The Bikeriders,' the 32-year-old has been working a charm vortex—both on-screen and off—like we haven't seen since Hollywood's old days.
By: Charles Bramesco
A new season of films celebrates how different directors have found a way to bring Shakespeare’s work forward, from Baz Luhrmann to Derek Jarman
By: Charles Bramesco, Dillen Phelps
A beautiful, high-powered fiftysomething (Léa Drucker) takes apparent leave of her senses, heeds her own perverse desire, and strikes up a carnal
Michael Winner’s violent 1974 thriller demonized inner-city living and rationalised bloody revenge, a film that still acts as a telling Republican text
The one and only Turtle returned to Los Angeles for the HBO show's twentieth anniversary and takes GQ on a tour of the gang's old stomping grounds.
By: Charles Bramesco
Directed by Starring Anticipation. Art the Clown is comin' to town. Enjoyment. Deck the halls with small intestines.
By: Charles Bramesco, Radheyan Simonpillai, Andrew Pulver, Scott Tobias, Jesse Hassenger, Benjamin Lee, Pamela Hutchinson, Alaina Demopoulos, Veronica Esposito, Francesca Carington
For Halloween, critics pick their most nightmarish baddies, from Count Orlok in Nosferatu to Annie Wilkes in Misery
By: Bobby Doherty, Charles Bramesco
The director's new movie is a reflective work on atonement in the face of death.
By: Charles Bramesco
Auteur’s strange and exuberant 1984 epic was the subject of ridicule in years following but it deserves a second chance
Robert Eggers realises a lifelong dream in reimagining the tale of Count Orlok, with spellbinding results.
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