Clare Malone is a staff writer for The New Yorker, with a focus on national stories in the United States. Her articles cover a wide range of topics, including politics, culture, and social issues. Clare's work has also been featured in Editor & Publisher (E&P) Magazine.
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Clare's articles cover a wide range of topics, with a focus on entertainment news and government & politics. Her coverage attributes indicate that she often seeks expert commentary and covers legal policy regulation.
If you are reaching out to Clare, consider providing expert insights or analysis related to the entertainment industry, political developments, or cultural trends in the United States. Additionally, pitches centered around interviews with prominent figures in these fields may also be well-received.
Given her national geographic focus on the United States, ensure that your pitch is tailored to relevant issues within the country when offering commentary or story ideas.
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Pedro Samper's short film follows a woman who operates a cemetery in Colombia for people who die, mostly Venezuelan migrants, without anyone to see their burial.
By: Adam Gopnik, Emily Witt, Susan B. Glasser, Barry Blitt, Clare Malone, Anna Russell, John Cassidy, Charles Bethea, Andrew Marantz, Elizabeth C. Gorski, Françoise Mouly, Eren Orbey
Donald J. Trump’s second term.
By: Sinna Nasseri, Charles Bethea, Andrew Marantz, Susan B. Glasser, John Cassidy, Clare Malone, Elizabeth C. Gorski, Eren Orbey, Antonia Hitchens, Adam Gopnik, Anna Russell, Emily Witt, Françoise Mouly
Surrounded by an ever-expanding cast of MAGA characters, the perpetual candidate becomes President-elect again.
By: Elizabeth C. Gorski, Joy Harjo, Richard Brody, Jennifer Wilson, Tim Zientek, Susan B. Glasser, Ian Crouch, Clare Malone, Hanif Abdurraqib
From the daily newsletter: Our analysis of how the election unfolded. Plus: the wild tale of a shipwreck detective; and the life of Quincy Jones.
Above my desk, I keep a Post-it note with a quote from the play: “The worst is not so long as we can say ‘This is the worst.' ”
By: Isaac Chotiner, Andrew Marantz, Charles Bethea, Isaac Butler, Adam Gopnik, Eren Orbey, Susan B. Glasser, Bob Eckstein, Nicholas Lemann, Clare Malone, Antonia Hitchens
My ideas come from my dreams, so that’s why I nap so frequently. I’m working.
By: Timothy Snyder, David Remnick, Emma Green, Nathan Heller, Clare Malone, Kyle Chayka, Rachel Maddow, Rebecca Mead, Jennifer Wilson, Charles Bethea, Marc Fisher, Susan B. Glasser
From the daily newsletter: Clare Malone on R.F.K., Jr.,’s health crusade. Plus: more on Trump’s extreme Cabinet; the naïveté of post-election despair; and the gripping drama of “Say Nothing.”
Peter van Agtmael's images of war and domestic strife are arresting and almost cinematically spare, but it is the careful narrative arc of his new book, “Look at the U.S.A.,” that deepens the viewer's experience.
By: Caitlin Reid, George Saunders, Hannah Jocelyn, Bob Eckstein, Will Nediger, Louisa Thomas, Kate Chin Park, Mollie Cowger, Ian Crouch, Robyn Weintraub, Clare Malone
Lipa who appeared in the film “Argylle”: three letters.
By: Susan B. Glasser
Skip to main content Your window is closing. That was fast. Barely two weeks after winning reëlection, Donald Trump has already so
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