Frank Scheck

British director Jamie Lloyd really, really wants you to know that he’s responsible for the staging of the new revival of Andrew Lloyd Webber’s 1993 musical Sunset Boulevard, newly arrived on Broadway after a hit London engagement. The production by “The Jamie Lloyd Company” features both opening and post-performance credits unspooled on a giant...

They say that a writer should write what they know. But in Delia Ephron’s case the advice may be a bit too on-the-nose. Left on Tenth, her new Broadway play based on her best-selling memoir, relates such life-changing events as the death of her first husband, her improbable late-in-life romance, and her battle with...

Katarina Gramatova's debut feature stars first-time actor Michael Zachensky as a rural teen confronted with difficult truths about his frequently absent mother (Eva Mores).

Written and directed by Chan Oliver Siu Kuen ('Still Human'), the Cantonese-language film charts the emotional and physical struggles of a woman caring for her newborn daughter.

Directed by Alexis Bloom ('Divide and Conquer: The Story of Roger Ailes'), the film includes leaked footage of the police interrogations of the Israeli prime minister, his wife Sara and their son Yair.

Opening the Fort Lauderdale International Film Festival, the Avi Avildsen-directed drama chronicles the story of Mildred Burke, the first million-dollar woman athlete in history.

The famed star of films like 'Girls! Girls! Girls!' and 'The Nutty Professor' is the subject of a detailed profile directed by her son, Andrew Stevens.

Robert O’Hara’s intentions are made clear just from the undeniably clever title of his new play receiving its world premiere at Off-Broadway’s MCC Theater. Yes, Shit. Meet. Fan. is meant to be provocative, and it achieves that goal in spades. The problem with provocation is that it tends to wear thin with...

The word that provides Jessica Goldberg’s new play its title has many meanings, depending on the circumstances. But as uttered by Gus, an aging record executive played by Arliss Howard, “Babe” comes across as a sexist, derogatory term even when he means it endearingly. He’s the sort of old-school male chauvinist who persists...

The more movie-to-stage musical adaptations that I see, and I’m seeing a lot, the more I get the feeling that a key ingredient has been left out. Well, not so much left out as glossed over. Whether it’s The Notebook or Back to the Future or seemingly countless others, the creatives seem to...