Theater Critic and Writer for The New Yorker
Helen Shaw is a theater critic and writer for The New Yorker. Her work focuses on reviewing and analyzing theater productions, with a keen eye for both high camp and high tragedy. Helen's articles provide insightful commentary on the theater scene, highlighting the work of notable playwrights, actors, and directors.
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United States (National)
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Helen Shaw's coverage heavily focuses on theater, particularly Broadway and Off-Broadway productions. She emphasizes expert commentary and event coverage, indicating a preference for insightful analysis of ongoing or upcoming theatrical events.
Given the high percentage of investment analysis in her articles, Helen may be interested in pitches that offer perspectives on the financial aspects of theater production or how industry trends impact investment opportunities within the entertainment sector.
As she has a national focus on the United States, considerations for geographic relevance to U.S.-based theatrical events would likely make pitches more appealing to her.
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Audra McDonald triumphs in "Gypsy" on Broadway. HELEN SHAW Joy Woods plays Gypsy (formerly Louise) in the iconic show-business tragedy.
Los Alamos is growing at a pace not seen since J. Robert Oppenheimer and the Manhattan Project.
By: Jennifer Wilson, David D. Kirkpatrick, Joshua Rothman, Lauren Michele Jackson, Alex Ross, Sarah Larson, Kate Chin Park, Merve Emre, Naomi Fry, Alex Barasch, Helen Rosner, Helen Shaw
From the daily newsletter: couch-potato shows. Plus: what good is morality?
By: Merve Emre, Lauren Michele Jackson, Joshua Rothman, Andy Kravis, Jennifer Wilson, Alex Barasch, Helen Shaw, Helen Rosner, Erin Neil, Alex Ross, Sarah Larson, David D. Kirkpatrick
From the daily newsletter: can we escape Spotify syndrome? Plus: New Mexico’s nuclear-weapons boom; Susan B. Glasser reflects on the year in politics; and revisiting Big Star’s “Radio City.”
By: Kate Chin Park, Louisa Thomas, Robin Wright, Joshua Rothman, Sarah Larson, Michael Schulman, Navied Mahdavian, Lee Chang-Dong, Casey Cep, Helen Shaw, Merve Emre, Ian Crouch
In America, states now celebrate not just flowers but their own desserts, minerals, neckwear—even firearms. Is there any meaning to the madness?
By: Merve Emre, Joshua Rothman, Robin Wright, Kate Chin Park, Louisa Thomas, Helen Shaw, Doreen St., Michael Schulman, Doreen St. Félix, Ian Crouch, Sarah Larson, Lee Chang-Dong, Navied Mahdavian
We commonly associate the writer with the land of his birth—America—and with the land of his expatriation, France. But a fascinating new exhibit focusses on Baldwin’s years in Turkey, the country that, in his words, saved his life.
SANTA MONICA, Calif., Jan. 7, 2025 /PRNewswire/ -- EarFun Unveils Advanced AI Translation and Dual-Unit Wireless Audio Technology
With the death of the director Richard Foreman, at eighty-seven, on January 4th, an era came to an end.
In the age of social media, every politician who has to stand in front of a camera after a tragedy turns into just another battle site in an endless culture war.
Highlights include a spare reworking of the 1927 musical “Show Boat” and a surprisingly touching new piece by the shock connoisseur Ann Liv Young.
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