Theater Critic and Writer for The New Yorker
Helen Shaw is a theater critic and writer for The New Yorker. Her work focuses on reviewing and analyzing theater productions, with a keen eye for both high camp and high tragedy. Helen's articles provide insightful commentary on the theater scene, highlighting the work of notable playwrights, actors, and directors.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United States (National)
Not enough data
Helen Shaw's coverage heavily focuses on theater, particularly Broadway and Off-Broadway productions. She emphasizes expert commentary and event coverage, indicating a preference for insightful analysis of ongoing or upcoming theatrical events.
Given the high percentage of investment analysis in her articles, Helen may be interested in pitches that offer perspectives on the financial aspects of theater production or how industry trends impact investment opportunities within the entertainment sector.
As she has a national focus on the United States, considerations for geographic relevance to U.S.-based theatrical events would likely make pitches more appealing to her.
This information evolves through artificial intelligence and human feedback. Improve this profile .
My childhood room, hippie flowered spread folded down at the single pillow, wood dresser with battered corners breathing out
Elon Musk is known to cause alarm when taking his self-driving tank out for a spin.
Sean Baker, who directed the action rom-com “Anora,” meets the actors Karren Karagulian and Vache Tovmasyan for a tour of Russophone Brooklyn, where the cast lived during filming.
“Hold On to Me Darling,” Our Town,” and Sump'n Like Wings.” HELEN SHAW
By: Mollie Cowger, Helen Shaw, Robyn Weintraub, Richard Brody, Amanda Petrusich, Eugenia Viti, Sophie Elmhirst, Michael Luo, Anahid Nersessian, Mark Remy
Sean Baker’s hectic drama, about the mismatch of a sex worker and an oligarch’s son, masks its synthetic storytelling with authentic locations.
By: Amanda Petrusich, Eren Orbey, Rivka Galchen, Robyn Weintraub, Heidi Blake, Parul Sehgal, Isaac Chotiner, Adam Gopnik, Alexei Navalny, Mollie Cowger, Helen Shaw
Jamie Lloyd casts Nicole Scherzinger as Norma Desmond, and Kit Connor and Rachel Zegler play a Gen Z version of Shakespeare’s famous lovers.
By: Dhruv Khullar, Yukio Mishima, Julian Lucas, Benjamin Wallace-Wells, Nicholas Lemann, Nick Paumgarten, Kathryn Schulz, Bob Morris, Charles Bethea, Jennifer Homans, Helen Rosner, Laura Kolbe, Jay Martel, Justin Chang, Adam Gopnik, Diane Mehta, Brooke Husic, Helen Shaw, Bruce Handy, Dorothy Wickenden, Condé Nast
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
The playwright Branden Jacobs-Jenkins and the performance artist Alina Troyano summon downtown's wild spirit, and Elevator Repair Service revives its signature hit.
By: Susan B. Glasser, Andy Kravis, Aimee Lucido, Ivan Ehlers, Helen Shaw, Jia Tolentino, Justin Chang, Oleh Sentsov, Dexter Filkins, Tyler Foggatt, Isaac Chotiner
Matt Gaetz has “gone to Washington to burn it down,” says the staff writer Dexter Filkins. “And he’s been remarkably successful.”
By: Charles Bethea, Richard Brody, Nathan Heller, Helen Shaw, Susan B. Glasser, Lauren Michele Jackson, Aimee Lucido, Inkoo Kang, Timothy Snyder, Jia Tolentino
The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show about the treadmill of life.
(833) 317-6278 
