Theater Critic and Writer for The New Yorker
Helen Shaw is a theater critic and writer for The New Yorker. Her work focuses on reviewing and analyzing theater productions, with a keen eye for both high camp and high tragedy. Helen's articles provide insightful commentary on the theater scene, highlighting the work of notable playwrights, actors, and directors.
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United States (National)
Helen Shaw's coverage heavily focuses on theater, particularly Broadway and Off-Broadway productions. She emphasizes expert commentary and event coverage, indicating a preference for insightful analysis of ongoing or upcoming theatrical events.
Given the high percentage of investment analysis in her articles, Helen may be interested in pitches that offer perspectives on the financial aspects of theater production or how industry trends impact investment opportunities within the entertainment sector.
As she has a national focus on the United States, considerations for geographic relevance to U.S.-based theatrical events would likely make pitches more appealing to her.
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Helen Shaw makes the case for the power of imagination and storytelling
By: Helen Shaw
The British playwright Lucy Kirkwood’s “The Welkin” exorcises the jury-room drama.
Lucy Kirkwood's "The Welkin" assesses women's work. HELEN SHAW Sandra Oh stars as an eighteenth-century midwife and moral lodestone.
By: Joyce Carol Oates, Roddy Doyle, Dhruv Khullar, Paige Williams, Peter Balakian, Amanda Petrusich, Yoni Brenner, Liana Finck, Condé Nast, Jon Lee Anderson, Hannah Goldfield, Helen Rosner, Jerome Groopman, Helen Shaw, H. C. Wilentz, Adam Gopnik, Zach Helfand, Sarah Larson, Justin Chang, Erik Agard, Jay Fielden
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
When I was little, five or six, I was taken to Andrew Lloyd Webber's long-running juggernaut musical “Cats.” My parents knew that I was already a
A few nights before the French took their final vote in this summer's snap parliamentary election, Tiago Rodrigues, the director of the Festival
Politics and the real” at the Festival d‘Avignon. HELEN SHAW The Cour d'Honneur at the Palais des Papes plays center stage.
By: Dobby Gibson, Eric Lach, Riane Konc, Rebecca Mead, Anna Russell, Victor Lodato, Helen Shaw, Heidi Blake, Ben Mcgrath, Caitlin Reid, Nell Freudenberger, Helen Rosner, Adam Iscoe, Jelani Cobb, Anthony Lane, Katherine Rundell, Condé Nast, Michael Luo, Jacqueline Osherow, Alex Ross
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
Life and Trust
By: Carrie Battan, Condé Nast, David Owen, Louis Menand, Helen Shaw, David Remnick
In the online era, brick-and-mortar book retailers have been forced to redefine themselves.
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