Inkoo Kang is a television critic at The New Yorker. With a focus on TV, movies, and social issues, she explores the intersection of arts and entertainment, often addressing themes related to culture and current events. Inkoo has been featured in notable publications such as The Hollywood Reporter, The Washington Post, and NPR.
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Inkoo Kang's coverage focuses on lifestyle and entertainment, with a significant portion dedicated to reviews and legal policy regulation. If you're interested in reaching out to her, consider offering expert insights or opinions related to the latest trends in television, Hollywood, or any other relevant topics within the entertainment industry. Additionally, given her focus on legal policy regulation, she may also be open to pieces that discuss the intersection of law and entertainment.
As Inkoo has a national geographic focus on the United States and covers topics like politics and the Republican Party alongside lifestyle content, experts who can provide informed perspectives on these areas could capture her attention as well.
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By: Annie Hylton, Sam Knight, Justin Chang, Louisa Thomas, Ian Buruma, Keith Gessen, Michael Schulman, Inkoo Kang, Cal Newport, Fergus Mcintosh, Louise Glück
For the filmmaker Charlotte Zwerin, being known as the “third Maysles” was both a calling card and a curse.
By: Fergus Mcintosh, Ian Buruma, Louise Glück, Cal Newport, Keith Gessen, Louisa Thomas, Justin Chang, Inkoo Kang, Sam Knight, Annie Hylton
Short reviews of recent releases.
By: Annie Hylton, Keith Gessen, Ian Buruma, Fergus Mcintosh, Inkoo Kang, Louise Glück, Justin Chang, Cal Newport, Sam Knight, Louisa Thomas, Alex Baia
Once, they were everywhere—in laugh tracks for “The Big Bang Theory,” in breathless think pieces about social-media narcissism. Then—poof! Gone like yesterday’s avocado toast.
By: Inkoo Kang, Michael Schulman, Lee Upton, Louis Menand, David Remnick, Elizabeth Kolbert, Han Ong, Zoe Pearl, Paolo Pasco, Susan Morrison, John Mcphee, Larry Levis, Ruth Margalit, Alexandra Schwartz, Emily Witt, Alec Macgillis, Jennifer Wilson
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
By: Keith Gessen, Susan B. Glasser, Sam Knight, Louisa Thomas, Louise Glück, Fergus Mcintosh, Cal Newport, Justin Chang, Inkoo Kang, Ian Buruma, Annie Hylton
The reëlected President reprised his “American Carnage” address, with repeated jabs at America’s “decline” under Joe Biden, but his central theme, as always, was himself.
In “Open Socrates,” the philosopher Agnes Callard reminds us how thinking should feel.
By: Keith Gessen, Fergus Mcintosh, Susan B. Glasser, Teju Cole, Ian Buruma, Françoise Mouly, Louis Menand, John Cassidy, Katy Waldman, Richard Brody, Inkoo Kang, Elizabeth Kolbert, Cal Newport
Lawmakers attempting to regulate children’s access to social media must decide whether bans or warning labels are the optimal route for keeping kids safe.
The L.A. wildfires have resurfaced an old question: Are times too dark for a glitzy awards ceremony?
By: David Remnick, Fergus Mcintosh, Françoise Mouly, Ian Buruma, Katy Waldman, Inkoo Kang, Isaac Chotiner, Joshua Rothman, Justin Chang, Elizabeth Kolbert, Peter Hessler
Reviews of notable new fiction, nonfiction, and poetry.
In his executive orders, Trump repeatedly asserted that he can make and interpret law, alongside Congress and the courts.
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