Television critic @newyorker. Pronounced in-goo. Get updates from me: https://t.co/PWBRWywr9v
United States (National)
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Inkoo Kang's coverage focuses on lifestyle and entertainment, with a significant portion dedicated to reviews and legal policy regulation. If you're interested in reaching out to her, consider offering expert insights or opinions related to the latest trends in television, Hollywood, or any other relevant topics within the entertainment industry. Additionally, given her focus on legal policy regulation, she may also be open to pieces that discuss the intersection of law and entertainment.
As Inkoo has a national geographic focus on the United States and covers topics like politics and the Republican Party alongside lifestyle content, experts who can provide informed perspectives on these areas could capture her attention as well.
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By: Inkoo Kang, Heidi Blake, Richard Brody, Jay Caspian Kang, Shayla Love
Natalie Portman stars in the Apple TV+ mystery as a sixties housewife who leaves her family for her career—and gets tangled up in a murder.
The HBO show's latest season finale reaffirms Rhaenyra's right to rule—but her mode of noble restraint, however admirable in a leader, is lethal in a protagonist.
By: Cynthia Zarin, Jackson Arn, Alex Ross, Clare Malone, Dan Greene, Sloane Crosley, Amy Davidson Sorkin, Zach Helfand, Paul Rudnick, Caleb Crain, Rachel Monroe, James Wood, Parul Sehgal, Inkoo Kang, Bob Morris, David Remnick, Natan Last, Shauna Lyon, Jennifer Wilson, Zbigniew Herbert
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
The Paramount+ procedural’s unusually serious treatment of faith—and delightfully absurdist take on almost everything else—made it a bright spot in an increasingly risk-averse TV landscape.
By: Oren Peleg, Jake Offenhartz, Helen Rosner, Inkoo Kang, Will Nediger, Kelefa Sanneh, Lena Dunham, Rebecca Mead, Condé Nast, Andrea Cohen, Yiyun Li, Sofia Warren, Alec Macgillis, Jonathan Blitzer, Hannah Goldfield, Andrew Marantz, Al Pacino, Dobby Gibson, Patricia Marx, Richard Brody, Sheila Yasmin Marikar, Kathryn Schulz
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
Brian Jordan Alvarez’s new FX comedy tackles hot-button issues with a satisfying mix of earnestness and irreverence.
Apple TV+'s soi-disant succession drama may gesture at weighty themes, but it's soapier—and often more fun—than its prestige counterparts.
By: Paul Rudnick, Alexandra Schwartz, Brooke Husic, Andrew Marantz, Jia Tolentino, Michael Schulman, Inkoo Kang, Alex Barasch, Rebecca Mead, Jonathan Blitzer, Allegra Goodman, Oliver Sacks, Daniel Alarcón, Charles Bethea, Robert Pinsky, D. T. Max, Condé Nast, Helen Rosner, Giles Harvey, Helen Shaw, Louis Menand, Diane Seuss
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
In “Monsters: The Lyle and Erik Menendez Story,” the astoundingly prolific showrunner melds his modes as provocateur and clumsy social-justice warrior, with mixed results.
Alfonso Cuarón's foray into television is a work of such vacuity that even Cate Blanchett can't salvage it.
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