Peter Bradshaw

Lyon’s Lumière festival screened a fascinating footnote to the great duo’s career: Behold a Pale Horse, an adaptation of Emeric Pressburger’s novel by Fred Zinnemann

Peter Bradshaw · 2-min read François Ozon has directed plenty of complex, demanding and serious dramas: Everything Went

Ozon and a stellar cast serve up an entertaining, if shallow caper that shades a little too close to #MeToo

This lo-fi Canadian dramady feels like an excursion into nothing much, as a vague college friendship is rekindled

Japanese journalist Shiori Itō tells how she pursued her rape case against a prominent TV executive

Julianne Moore and Tilda Swinton give luxuriously self-aware performances as two old friends who are reunited in a doggedly mysterious drama

A band of rabbits must leave their warren to find safety in a film that, even in a digital age, still has the bloody force to scare young minds

Johnny Depp makes his film debut in Wes Craven’s imperfect but entertaining horror that still has considerable black-comic energy

Two young missionaries visit a man at his cavernous house to discuss Mormon doctrines but get drawn into a psychological game of terror and manipulation

The third instalment in the film adventures of the furry marmalade addict may boast Olivia Colman as a singing nun but it lacks home comforts