Rachel Syme is a staff writer for The New Yorker, covering a wide range of topics including culture, entertainment, and current events. With a keen eye for detail and a unique storytelling style, Rachel's articles provide insightful and thought-provoking analysis on various subjects, from film and music to politics and social issues.
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Rachel Syme's articles predominantly cover entertainment news and lifestyle topics, with a focus on evolving stories and profile features. To effectively pitch to her, consider offering human-interest angles or unique perspectives related to the entertainment industry or lifestyle trends. Story ideas could revolve around in-depth profiles of individuals involved in the arts and culture scene, emerging trends in fashion or leisure activities, or coverage of events that intersect with popular culture.
Given Rachel's national focus on the United States, pitches should ideally align with American-centric narratives. Additionally, considering her interest in evolving stories and profile features, providing exclusive access to personalities within the entertainment domain could enhance engagement potential for your pitch.
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By: Hanif Abdurraqib, Rivka Galchen, Alex Barasch, Emma Allen, Ingfei Chen, Evan Waite, Lauren Groff, Kevin Young, Max Norman, Michael Schulman, Rachel Syme, Adam Iscoe, Jane Mayer
Why does hepatitis B, which can lead to liver cancer, often go undetected, even though tests exist?
By: Kevin Young, Max Norman, Emma Allen, Alex Barasch, Hanif Abdurraqib, Rachel Syme, Jane Mayer, Evan Waite, Lauren Groff, Lauren Michele Jackson, Michael Schulman, Adam Iscoe, Rivka Galchen
Our parasocial dismay has become confused with social critique.
By: Hanif Abdurraqib, Lauren Groff, Rivka Galchen, Adam Iscoe, Emma Allen, Jane Mayer, Alex Barasch, Kevin Young, Michael Schulman, Evan Waite, Rachel Syme, Max Norman
The “Challengers” and “Queer” director discusses some books about his longtime preoccupation: the codes and customs of the rich.
By: Rivka Galchen, Naomi Fry, Alex Ross, Kyle Chayka, Sarah Larson, Andy Kravis, Amanda Petrusich, Richard Brody, Rachel Syme, Rebecca Mead, Adam Iscoe, Ian Crouch
Also: A private-school meltdown in “Eureka Day,” jam rock comes to town, Richard Brody reviews “Babygirl” and “A Complete Unknown,” and more.
By: Kyle Chayka, Rachel Monroe, Sarah Larson, Rebecca Mead, Rivka Galchen, Rachel Syme, Amanda Petrusich, Naomi Fry, Kate Chin Park, Ian Crouch, Alex Ross, Adam Iscoe, Richard Brody
Wid Lyman, who tries to document crossings on the southern border, is one of a growing number of citizen journalists who portray immigrants with a sense of menace.
By: Rebecca Mead, Rivka Galchen, Sarah Larson, Rachel Syme, Kate Chin Park, Richard Brody, Alex Ross, Amanda Petrusich, Adam Iscoe, Naomi Fry, Kyle Chayka, Helen Shaw, Ian Crouch
In the latest revival of Arthur Laurents, Stephen Sondheim, and Jule Styne’s iconic musical, George C. Wolfe humanizes a famously monstrous stage mother.
By: Rebecca Mead, Richard Brody, Rivka Galchen, Alex Ross, David Remnick, Rachel Syme, Naomi Fry, Sarah Larson, Kyle Chayka, Ian Crouch, Amanda Petrusich, Andy Kravis, Adam Iscoe
In 1979, a minister received a telegram from Iranian militants who had taken hostages in the American Embassy, inviting him to perform Christmas services. Two days later, he was inside.
By: Kyle Chayka, Rebecca Mead, Sarah Larson, Rivka Galchen, Amanda Petrusich, Rachel Syme, Naomi Fry, Kate Chin Park, Ian Crouch, Alex Ross, Adam Iscoe, Richard Brody
From the daily newsletter: Adam Iscoe on getting a table. Plus: right-wing reporters at the border; Trump’s Cabinet picks in Washington; and Timothée Chalamet’s Bob Dylan impersonation.
TV's preëminent office guy has never worked a “regular nine-to-five,” but his years as a struggling actor taught him what it's like to toil anonymously.
The Hollywood slog that led Adam Scott to “Severance.”
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