The political maneuvering of cardinals gathered in the Vatican to choose a new Pope gives rise to fine performances but merely methodical drama.
Richard Brody is a film critic at The New Yorker. He covers a wide range of topics within the realm of film and cinema, including blockbuster hits, international films, and independent projects, while also exploring social issues and cultural themes. Brody is featured in The New Yorker and is the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard.”