Richard Brody is a film critic at The New Yorker. He focuses on a wide range of topics within film and cinema, including reviews of blockbusters, international films, and documentaries, as well as exploring the works of influential directors like Jean-Luc Godard and Wes Anderson. Brody is also the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard” and is featured in The New Yorker.
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New York, United States (Local)
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Richard Brody's coverage spans a variety of cultural topics, including film, literature, music, and polyamory. His focus on entertainment news and culture & society suggests he may be interested in pitches related to profiles or reviews of new works in these areas.
Brody appears to have an interest in exploring evolving cultural phenomena such as the popularity of polyamory. Therefore, he might be receptive to pitches that offer unique perspectives on emerging trends and their societal impact within the realms of film, literature, music or broader social contexts.
Given his national focus on the United States and his broad range of interests spanning different facets of culture and entertainment news - there is an opportunity for experts across various fields who can provide valuable insights into contemporary cultural phenomena or specific works within these domains.
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By: Joshua Rothman, Doreen St. Félix, Graciela Mochkofsky, Ian Buruma, Sheila Heti, Ruth Margalit, Keith Gessen, Richard Brody, Caitlin Reid, Elizabeth Kolbert, Emily Witt, Peter Hessler, Louise Glück
The best thing about liking a boy was that it filled in all your time. You could lie on your bed and listen to music for an entire afternoon, daydreaming about him.
By: Keith Gessen, Doreen St. Félix, Caitlin Reid, Peter Hessler, Cressida Leyshon, Graciela Mochkofsky, Ruth Margalit, Richard Brody, Emily Witt, Ian Buruma, Joshua Rothman, Louise Glück, Elizabeth Kolbert
The author discusses her story “The St. Alwynn Girls at Sea.”
By: Mollie Cowger, Graciela Mochkofsky, Caitlin Reid, Inkoo Kang, Ian Buruma, Jordan Salama, Helen Rosner, Alec Macgillis, Joshua Rothman, Emily Witt, Fergus Mcintosh, Richard Brody, Alexandra Schwartz
At the Otter, the chef behind Empellón offers a fish-forward menu that performs tricks of the tongue.
By: Mollie Cowger, Richard Brody, Elizabeth Kolbert, Fergus Mcintosh, Graciela Mochkofsky, Alec Macgillis, Ian Buruma, Caitlin Reid, Emily Witt, Inkoo Kang, Alexandra Schwartz, Joshua Rothman, Jordan Salama
Climate change has brought both fiercer rains and deeper droughts, leaving the city with brush like kindling—and the phenomenon is on the rise worldwide.
Games are often blamed for gun violence, but the parents of one victim believe the form can raise awareness instead.
In today's newsletter, TikTok in limbo, and then: Kyle Chayka Staff writer Just before 11 P.M. on Saturday night, TikTok went dark in the United States.
By: Isaac Chotiner, Justin Chang, Sam Knight, Susan B. Glasser, Jordan Salama, Richard Brody, Teju Cole, Jennifer Wilson, Françoise Mouly, Louise Glück, Manvir Singh, Keith Gessen, Alec Macgillis
The President’s various foreign-policy “personas” vacillate between a desire for domination and withdrawal.
By: Keith Gessen, Fergus Mcintosh, Susan B. Glasser, Teju Cole, Ian Buruma, Françoise Mouly, Louis Menand, John Cassidy, Katy Waldman, Richard Brody, Inkoo Kang, Elizabeth Kolbert, Cal Newport
Lawmakers attempting to regulate children’s access to social media must decide whether bans or warning labels are the optimal route for keeping kids safe.
In his executive orders, Trump repeatedly asserted that he can make and interpret law, alongside Congress and the courts.
By: Richard Brody, Anna Russell, David Remnick, Isaac Chotiner, Tyler Foggatt, Jay Caspian Kang, Katy Waldman, Justin Chang, Jane Mayer, Ruth Margalit, Louis Menand, Jeannie Suk Gersen
“The hunger that there was to know every detail, every tweet, every remark, has receded immeasurably, to Trump’s benefit,” the editor of The New Yorker says.
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