Richard Brody

Film Critic

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Preston's Summary

Richard Brody is a film critic at The New Yorker. He focuses on a wide range of topics within film and cinema, including reviews of blockbusters, international films, and documentaries, as well as exploring the works of influential directors like Jean-Luc Godard and Wes Anderson. Brody is also the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard” and is featured in The New Yorker.

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Geo Focus

New York, United States (Local)

Coverage Attributes:

Beta
Expert Commentary: 15 %
Opinion Editorial: 14 %
Legal Policy Regulation: 10 %
Profile Feature: 9 %
Event Coverage: 9 %

Themes Covered:

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Most Recent Topics:

  • Film Industry
  • Politics
  • Elections
  • Government

Pitching Insights

Richard Brody's coverage spans a variety of cultural topics, including film, literature, music, and polyamory. His focus on entertainment news and culture & society suggests he may be interested in pitches related to profiles or reviews of new works in these areas.

Brody appears to have an interest in exploring evolving cultural phenomena such as the popularity of polyamory. Therefore, he might be receptive to pitches that offer unique perspectives on emerging trends and their societal impact within the realms of film, literature, music or broader social contexts.

Given his national focus on the United States and his broad range of interests spanning different facets of culture and entertainment news - there is an opportunity for experts across various fields who can provide valuable insights into contemporary cultural phenomena or specific works within these domains.

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