Stephen Foster

Spain's Lola is one of the brightest creative sparks floating around today's somewhat reduced adland and, as these Iberians do, it's setting out for world domination (initially in four cities.)

Retirement looms as possibility for White Abarrio after last-place Whitney run.

WPP has more or less held on to its share price gains following last week's better than expected H1 results, keeping its nose above the important £4bn valuation.

In this increasingly funny old (new) world everybody seems to want a slice of someone else so the TikTok generation has seemingly gone ape for

Good to see that The Martin Agency has survived the corporate bloodletting at Omnicom. Now Richmond's finest has triumphed in a pitch for Subway, beating incumbent the mighty Leo New York (Burnett as was.)

Coca-Cola is, or should be, the gold standard for advertising although every so often it slips of its perch.

Most of the ad world may be taking a break from the business (if not the blinding heat) but some things never change: Britain's VCCP keeps picking up business.

When Vodafone tookk over Three we thought: that's that, more dire red-splashed ads. Three, readers may recall, had more than its fair share of moments with Wieden+Kennedy.

The best ads highlight the human element in all of us, even even if it's Gregor Fisher's famous combover for Hamlet. We feel something or other positive about the brand because it's on the same wavelength as we are. Mostly we get examples of gleaming modernity, elevating technique to the max and leaving us humans

The best ads highlight the human element in all of us, even even if it's Gregor Fisher's famous combover for Hamlet . We feel something or other positive about the brand because it's on the same wavelength as we are.