Susan B. Glasser is a journalist and writer who focuses on national politics in the United States. She is a staff writer for The New Yorker and has also contributed to The Brookings Institution. Glasser's articles cover a range of topics including the Trump administration, U.S.-Russia relations, and the impact of political events on the 2024 election.
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Susan B. Glasser's coverage predominantly focuses on government and politics, with a significant emphasis on legal policy regulation and opinion editorial pieces. She appears to be deeply engaged in analysis of political events, particularly those related to elections, Trump, January 6th, and international relations.
Given Glasser’s focus on US national politics and governmental affairs, she would likely be receptive to pitches from experts who can provide insightful commentary or analysis on ongoing political developments at both the federal and state levels.
As her articles often delve into complex policy matters related to international relations as well as domestic governance issues such as election laws and regulations, she may find value in sources that have expertise in these areas or are directly involved in relevant decision-making processes.
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By: Susan B. Glasser, Jia Tolentino, Ben Crair, Isaac Chotiner, Richard Brody, E. Tammy Kim, Thomas Meaney, Tyler Foggatt, Timothy Snyder, Justin Chang, Robyn Weintraub
“It was ill-fated from the beginning,” Jeannie Suk Gersen says, of the effort to prosecute Donald Trump.
By: Timothy Snyder, Jia Tolentino, E. Tammy Kim, Ben Crair, Justin Chang, Alexandra Schwartz, Richard Brody, Naomi Fry, Vinson Cunningham, Isaac Chotiner, Thomas Meaney, Susan B. Glasser
Films such as “Gladiator II” underscore our long-standing obsession with the Roman Empire—a fixation that’s evident in both culture and politics. Why are we so desperate to reclaim ancient history?
By: Thomas Meaney, Susan B. Glasser, Richard Brody, Amanda Petrusich, Jia Tolentino, Timothy Snyder, Ben Crair, Isaac Chotiner, Justin Chang, E. Tammy Kim
From the daily newsletter: a playlist for short days. Plus: Richard Brody’s best movies of 2024; essential works of Native American history; and Houston’s thriving West African food scene.
By: Naomi Fry, David Remnick, Louisa Thomas, E. Tammy Kim, John Cassidy, Susan B. Glasser, Jia Tolentino, Oscar Schwartz, Ronan Farrow
The President-elect and his appointees now view their internal enemies as America’s biggest national-security threats.
By: Jennifer Gonnerman, M. Z. Adnan, John Cassidy, Dennis Zhou, Jane Mayer, Adam Iscoe, Helen Rosner, Susan B. Glasser, Kyle Chayka, Louisa Thomas, Thomas Meaney, Jackson Arn, Evan Osnos, Jessica Winter
“What we’re seeing about the foundations of Trump 2.0 suggests that this is going to be a kind of maximalist, confrontational version of Trump that comes back into office in January, 2025,” Susan B. Glasser says.
On Chris Wray’s self-defenestration and the dilemma of being on the pugilistic President-elect’s target list.
By: Rachel Monroe, Jia Tolentino, Richard Brody, Susan B. Glasser, Margaret Talbot, Andrew Marantz, Casey Cep, Jonathan Blitzer, Sarah Larson, Paige Williams, Kate Chin Park, Emma Allen
The sociologist Musa al-Gharbi argues that the “Great Awokening” alienated “normie voters,” making it difficult for Kamala Harris—and possibly future Democrats—to win.
By: Lauren Collins, Rivka Galchen, James Somers, Joshua Rothman, Hanif Abdurraqib, Jane Mayer, Nikki Giovanni, Jia Tolentino, Jonathan Blitzer, Michael Luo, Adam Iscoe, Susan B. Glasser, Alice Gregory
Readers spent the most time this year on articles involving fraudulent identities, Kanye West, the turbulent U.S. election and its aftermath, and other memorable topics.
Home Ownership A Thirty-Year-Old Man Today: Is working toward paying off a two-bedroom condo by age seventy-five, if all goes well.
By: Adam Iscoe, Jennifer Wilson, Jessica Winter, Negar Azimi, Benjamin Wallace-Wells, Emma Allen, Susan B. Glasser, Rivka Galchen, Paige Williams, Jia Tolentino, Richard Brody
Timothée Chalamet’s performance is a remarkable act of mimicry that reveals little of the real Bob Dylan.
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