Vinson Cunningham is a critic at The New Yorker. He focuses on culture and society, with particular attention to theatre, television, and various social issues, while also covering topics such as publishing and arts and entertainment. Vinson has been featured in The New Yorker, NewsBreak, Magzter, and Realclearpolitics, and is also known for his debut novel, "Great Expectations," released in 2024.
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Vinson Cunningham's articles cover a wide range of topics from entertainment news, lifestyle, culture & society. They also explore various themes such as art, period drama, French culture, faith and dining out. Cunningham often includes expert commentary and focuses on industry-specific insights.
If you are looking to reach out to Vinson with a pitch or expertise in an area he covers, consider providing unique perspectives on the intersection of entertainment and cultural trends or offering insights into industry-specific developments related to his coverage areas. If your expertise aligns with any of the specific topics covered by Cunningham like scams, art or theater be sure to highlight that aspect in your outreach.
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By: Dorothea Lasky, Jelani Cobb, Justin Chang, Jack Handey, Rivka Galchen, Parul Sehgal, Evan Osnos, Zach Helfand, Michael Schulman, T. R. Hummer, Adam Gopnik, Alexei Navalny, Natan Last, Condé Nast, Joshua Cohen, Vinson Cunningham, Hilton Als, Sarah Larson, Holden Seidlitz
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
By: Adam Gopnik, Kathryn Schulz, Vinson Cunningham, David D. Kirkpatrick, Joshua Rothman, Naomi Fry, Nicholas Lemann, Isaac Chotiner, Eren Orbey, David Remnick, Katy Waldman, Alexandra Schwartz, Rachel Monroe, Benjamin Wallace-Wells, Kyle Chayka
In projects like “Problemista” and HBO’s “Fantasmas,” the multihyphenate uses uncanny flourishes to make sense of our most convoluted bureaucratic systems.
In her commercials, Kamala Harris walks a line between illuminating the issues and acknowledging the world-historic craziness of her opponent; Donald Trump targets his base.
By: Andrew Marantz, Greg Jackson, Charles Bethea, Jennifer Wilson, David Remnick, Jill Lepore, Caitlin Reid, Vinson Cunningham, Sam Knight, Vona Groarke, Ed Caesar, David Owen, Dan Greene, Joy Harjo, Alex Ross, Naomi Zeveloff, Adam Iscoe, Viktoria Shulevich
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
By: Rachel Maddow, Emma Green, Nathan Heller, Joshua Rothman, Alexandra Schwartz, Charles Bethea, Susan B. Glasser, David Remnick, Naomi Fry, Timothy Snyder, Vinson Cunningham, Rebecca Mead, Benjamin Wallace-Wells
In the days since Donald Trump’s reëlection, art has offered a distraction for those reeling from the news. But what does it mean to turn away when circumstances demand our attention?
By: Charles Bethea, Nathan Heller, Naomi Fry, Alexandra Schwartz, Susan B. Glasser, Lauren Michele Jackson, Inkoo Kang, Andy Kravis, Rebecca Mead, Jia Tolentino, Vinson Cunningham, Timothy Snyder
A new documentary reveals social-media platforms’ iron grip on the lives of teen-agers, one that’s increasingly being linked to a slew of mental-health issues. How scared should we be?
By: Timothy Snyder, Jia Tolentino, E. Tammy Kim, Ben Crair, Justin Chang, Alexandra Schwartz, Richard Brody, Naomi Fry, Vinson Cunningham, Isaac Chotiner, Thomas Meaney, Susan B. Glasser
Films such as “Gladiator II” underscore our long-standing obsession with the Roman Empire—a fixation that’s evident in both culture and politics. Why are we so desperate to reclaim ancient history?
By: Rachel Monroe, Alexandra Schwartz, Emma Allen, Rachel Syme, Jeannie Suk Gersen, Vinson Cunningham, Jon Lee Anderson, John Kenney, Calvin Trillin, Jill Lepore, Ian Crouch, Bruce Handy, Louisa Thomas, Oscar Schwartz, Naomi Fry
Jon M. Chu’s adaptation of the Broadway hit is the latest iteration of a quintessentially American form. Why has the musical endured—and where might it go next?
By: Andy Kravis, Jessica Winter, Vinson Cunningham, Isaac Chotiner, David Sedaris, James Somers, Joshua Rothman, Ronan Farrow, Jeannie Suk Gersen, Helen Rosner, Adam Iscoe, Casey Cep
In his book “Growing Up Urkel,” Jaleel White details how “Family Matters,” for good or ill, brought a new Black male archetype to the culture’s doorstep.
By: Ian Crouch, Helen Shaw, Richard Brody, Paige Williams, Lauren Collins, Alexandra Schwartz, Naomi Fry, Max Norman, Benjamin Wallace-Wells, Jeannie Suk Gersen, John Cassidy, Vinson Cunningham
Across culture and politics, 2024 was a year of great expectations followed by disastrous misses. What space might these upsets open up in their wake?
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