Fiona Maddocks is a journalist who writes for various publications including Yahoo Sports Canada, Yahoo News UK, and The Guardian. She specializes in classical music and culture, providing reviews and recommendations for concerts, operas, and albums. Fiona's expertise and passion for the arts shine through in her insightful and engaging articles.
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Fiona Maddocks predominantly covers classical music, with a focus on reviews and event coverage. She would likely be receptive to pitches related to upcoming concerts, operas, or other significant events in the world of classical music.
Given her extensive review coverage, she may also be interested in pitches that offer unique perspectives on newly released albums or performances within the classical music sphere. Moreover, offering insights into lesser-known artists or composers could pique her interest given her investment in covering a diverse range of content within this field.
Since Fiona's articles are not geographically focused, she might welcome international stories but it is important for sources to ensure that their pitch aligns with the types of events and reviews she typically covers.
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By: Fiona Maddocks
In The Marriage of Figaro , Mozart sweeps a beam over all life, tears and laughter as one.
By: Fiona Maddocks
Seeing and listening, occipital and temporal. The ways in which visual artists and musicians unite would take books to untangle, not a few provisional paragraphs.
By: Fiona Maddocks
Plucky Northern Ireland Opera triumphs with elegant, homegrown Tchaikovsky; Stephen Hough and Angel Blue rise above the pomp; and biblical car park Mahler
The star tenor retrieves some of his old form – helped by six outstanding soprano partners – on this surefire hit spanning La bohème to Madama Butterfly
By: Fiona Maddocks
The baritone on how he looks after his voice, why he likes to talk to his audience, and playlists for the dying
By: Fiona Maddocks
“Father of the atomic bomb” is a boast enough to get a person noticed or, as J Robert Oppenheimer himself put it, quoting the Bhagavad Gita , “destroyer
By: Fiona Maddocks
· 6-min read Whatever the question, one answer, in Tobias Kratzer's production of , revived by the Royal Opera, is a horse.
By: Fiona Maddocks
· 1-min read This is the album for any James Ehnes fans and all Jean Sibelius enthusiasts, long delayed in lockdown and now at last
By: Fiona Maddocks
Total commitment carries Bernstein’s uneven suburban double bill; ignore the added subtext and savour ENO’s musically outstanding Turn of the Screw; and Rachmaninov as you’ve never heard him…
By: Fiona Maddocks
Even as they fight for survival, WNO give their all in Puccini at his most affecting – and funniest
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