Geoff Brown is a journalist who writes for The Times and has a focus on classical music. His articles cover reviews of performances by various orchestras and conductors, showcasing his expertise and passion for the subject. Geoff's work has also been featured in Classic Music, further establishing his reputation in the classical music community.
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Geoff Brown's articles are largely focused on entertainment news, particularly music reviews and classical performances. If you're looking to reach out effectively, consider offering unique perspectives or insights related to the world of classical music, composers, orchestras, concerts, and specific music releases.
Given Geoff's overwhelming focus on providing reviews in his coverage attributes and topics covered, he may be interested in engaging with individuals who can provide nuanced analysis or behind-the-scenes information about the works being reviewed. This could include musicians, conductors, composers among others involved in the classical music industry.
It's important to note that Geoff does not have a specified geographic focus but appears to cover international performances and releases within the realm of classical music.
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Thomas Adès conducted the London Symphony Orchestra with love and precision at the Barbican
Gustavo Dudamel’s fan club never stopped enjoying themselves. But at the Barbican in London the LA Phil’s fierce attack was less winning in the longer works
A performing layout that places most of the action at a challenging distance is the chief drawback in a skilfully conducted show at Holland Park Opera
The composer’s festival commission Planet, performed by the Knussen Chamber Orchestra under Ryan Wigglesworth, was paired with enthusiastically played Mozart
In the Academy of Ancient Music’s Barbican performance the countertenor Iestyn Davies was cleanly expressive as the eponymous knight, but he didn’t have the heft
Wagner has become the Saffron Opera Group’s special thing — so for its tenth anniversary, they gave us a passionate performance of his midsummer comedy
The opera star’s latest album pairs him with sopranos including a wobbly Anna Netrebko and a fiery Asmik Grigorian
By: Geoff Brown
The other singers in David Bates and La Nuova Musica’s presentation were scarcely less vivid at Wigmore Hall in this programme packed with Handel
Kamala Harris is the political correlative of the infamous mortgage derivative products — the CDOs, or Collateralized Debt Obligations — spotlighted by Michael Lewis in The Big Short . In that book, Lewis analyzes the conditions in the mortgage industry that created the financial crisis of 2007–2008 and contributed to the election of Barack Obama.
By: Geoff Brown
The latest in a ‘Nordic Strands’ series, at the Royal Festival Hall in London, featured an underpowered Sibelius Violin Concerto but a brilliantly combative Nielsen’s Fifth
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