Geoff Brown is a Contributor at The Times. He reviews classical music concerts and albums, drawing on his background as a former film critic and his passion for discovering unusual vinyl repertoire. Geoff's work has been featured in publications such as Worthing Herald, Classic Music, and American Thinker, showcasing his expertise in arts and entertainment.
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Geoff Brown's articles are largely focused on entertainment news, particularly music reviews and classical performances. If you're looking to reach out effectively, consider offering unique perspectives or insights related to the world of classical music, composers, orchestras, concerts, and specific music releases.
Given Geoff's overwhelming focus on providing reviews in his coverage attributes and topics covered, he may be interested in engaging with individuals who can provide nuanced analysis or behind-the-scenes information about the works being reviewed. This could include musicians, conductors, composers among others involved in the classical music industry.
It's important to note that Geoff does not have a specified geographic focus but appears to cover international performances and releases within the realm of classical music.
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The opera star’s latest album pairs him with sopranos including a wobbly Anna Netrebko and a fiery Asmik Grigorian
By: Geoff Brown
The other singers in David Bates and La Nuova Musica’s presentation were scarcely less vivid at Wigmore Hall in this programme packed with Handel
Kamala Harris is the political correlative of the infamous mortgage derivative products — the CDOs, or Collateralized Debt Obligations — spotlighted by Michael Lewis in The Big Short . In that book, Lewis analyzes the conditions in the mortgage industry that created the financial crisis of 2007–2008 and contributed to the election of Barack Obama.
By: Geoff Brown
The latest in a ‘Nordic Strands’ series, at the Royal Festival Hall in London, featured an underpowered Sibelius Violin Concerto but a brilliantly combative Nielsen’s Fifth
By: Geoff Brown
Soloist Lawrence Power unveiled a bold new work by Magnus Lindberg at the Royal Festival Hall before conductor Esa-Pekka Salonen led a thrilling performance of Sibelius’s First Symphony
Our critics pick the best new releases, updated weekly
By: Geoff Brown
In a London Jazz Festival fusion event, the saxophonist joined the Britten Sinfonia at Milton Court in London to make dynamic musical mincemeat
By: Geoff Brown
The orchestra radiated energy, bonhomie and community spirit at Queen Elizabeth Hall, conducted by an incisive Kevin John Edusei
At the Wigmore Hall, the pianist’s epic chunks from Götterdämmerung formed a storm-tossed 28 minutes from an instrument that sounded as though it had 200 keys
Shirk the obvious fare for the sound of Merton College’s choristers, a German baroque treasure or Franz Liszt in full Santa mode
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